History, Natural History & the Arts
North Country Books, a Utica publisher and major wholesaler and distributor of books throughout Upstate New York and Northern New England, is expected to close by the end of the year according to company owner Rob Igoe Jr.
The firm is a victim of COVID-19 Pandemic Igoe told the New York Almanack, but noted that times have been tough since their biggest clients, Borders and Walden Books, closed in 2011. [Read more…] about North Country Books Closing After 55 Years
In 1868, Anthony Comstock authored a comprehensive New York State statute prohibiting the distribution of “immoral” books and images. Five years later he founded the New York Society for the Suppression of Vice.
Acting as its secretary until his death in September 1915, he sought to become the arbiter of corruption and was handed legal authority to burn indecent books, destroy printers’ stocks, and enter galleries demanding that vile paintings be removed under threat of prosecution. For his enemies Comstock symbolized licensed bigotry; for his supporters he stood firm in defense of decency.
In 1895, the New York Times introduced the term “comstockery” to describe his zealous moral campaign. [Read more…] about Donleavy, Comstockery and Irish Smut
In 1693, Leicestershire-born immigrant William Bradford was appointed public printer for New York. Living in Pearl Street, Manhattan, he published from his offices in Hanover Square the first book with a New York imprint, entitled New-England’s Spirit of Persecution Transmitted to Pennsylvania by Quaker author George Keith.
Between 1725 and 1744, Bradford produced the New-York Gazette, the city’s first newspaper. Lower Manhattan continued to be the center of New York’s printing industry for many years, but by the 1860s the street took on a northern European accent and became known for a different type of leaf – tobacco. [Read more…] about Gompers and Hammerstein: The Cigar Makers Who Transformed Theatre
Said to be born somewhere in “America” on September 11, 1905, Kathryn Hamill is an intriguing figure whose presence has been strangely ignored.
Typically mentioned in the context of her fling with novelist Patricia Highsmith, little else is known about her. Even photographic images appear to be missing. A one-time Ziegfeld dancer, she married a British publisher, studied medicine in Cambridge, lived in one of London’s iconic modernist houses, and committed suicide. A biographer’s challenge. Surely. [Read more…] about A Modernist Merry-Go-Round
Born in March 1804 in Bavaria, Franz Seraph Hanfstaengl studied at the Munich Academy of Fine Arts. He settled in Dresden and began copying paintings in the splendid collection of the city’s Gemäldegalerie Alte Meister.
Between 1835 and 1852 he produced about 200 lithographic reproductions of masterworks, laying the foundations for the publishing House of Hanfstaengl. [Read more…] about House of Hanfstaengl: Munich and Manhattan
In 2019, Arthur A. Levine in New York and Em. Querido in Amsterdam announced that they were joining forces as an independent publishing house under the name Levine Querido. For me, after decades of living and working in London, that information sparked a flash-back.
Creativity and Nostalgia
A metropolis without immigrants would be unthinkable. The emergence of the modern movement in art and literature coincided with multiple waves of migration and is associated with flux and exile. James Joyce or Ezra Pound felt that being expatriat enhanced their independence. To George Steiner, modernism meant extra-territoriality. [Read more…] about Jaap Harskamp: Publish and Be Free
In the 21st century, we are all creators and users of content. We take original photos with our smartphones, generate blog posts, digital videos, and podcasts. Some of us write books and articles. And nearly everyone contributes content to social media.
Given all of the information and content we generate and use, it’s really important for us to understand the principles of copyright and fair use, principles that have an early American past. [Read more…] about Copyright & Fair Use in Early America
The journal New York History turns a century old in 2019 and this summer readers will find volume 100, issue number 1, in their mailboxes and see notices of the digital delivery of the journal in their email inboxes.
The most anticipated change at the journal, which is under new stewardship of Cornell University Press collaborating with the New York State Museum, is a welcome return to the past. The journal, after being a digital-only publication since 2012, will return to glorious print. Readers will be able to peruse bound paper issues and consult PDF and reflowable e-journals as their interests and reading needs determine. We know that paper and screens have their respective and complementary places in our reading lives, and the editors of the journal have ensured that all readers will have a choice of formats. [Read more…] about New Directions for ‘New York History’ Journal
The New Netherland Institute (NNI), the center of New Netherland scholarship for over four decades, and Cornell University Press will now work together to publish books on the seventeenth-century Dutch colony and its legacy.
Collaboration on potential projects is expected to begin in the spring of 2018. [Read more…] about New Netherland Institute, Cornell Press Form Publications Partnership
SUNY Press has announced a news series, Public History in New York State, edited by the University at Albany Center for Applied Historical Research. [Read more…] about SUNY Press Launches Public History Series