One of the effects of colonial expansion in the nineteenth century was that museums stopped being exclusively Euro-centered. The mapping of the annexed world was a responsibility of colonial governments which employed scholars to carry out the tasks of collecting and recording. Curators changed their collecting focus.
Works of art from Africa and Pacific Oceania that were looted, stolen or cheaply acquired without concern about provenance, found their way from British, French, Dutch, and Belgian colonial territories to the museums and curiosity shops of Paris, London, Amsterdam, and Brussels. [Read more…] about The Cake Walk, Prohibition & John Philip Sousa: Ragtime Wild Paris