The Iroquois Indian Museum is proud to present a weekend Dance Festival on July 11 and 12, 2009. This two-day event will feature international dancers as well as Iroquois Social Dance performers. On Saturday, July 11th the dance groups will include St.Adalbert’s Polish Dancers, St. Sophia’s Greek Dancers and the Irish dancers Iona Troupe. [Read more…] about International Dance Preformances and Workshops
Help Out The Rensselaer County Historical Society
Since the news broke in early March that the Rensselaer County Historical Society (RCHS) was in serious financial trouble, there has been an outpouring of support from the community. RCHS board and staff have been working hard to make the most of many offers and come up with a plan to “Keep the Lights On and the History Alive.”
For the first public event of this campaign, ticket proceeds from the Saturday, April 25, 2009 preview of the New York State Theatre Institute‘s production of Philip Barry’s timeless comedy, “The Philadelphia Story” will be donated to RCHS to help our 82-year-old organization in the fight to stay open.
Patricia Di Benedetto Snyder, the theater’s producing artistic director, made this generous offer to the organization shortly after RCHS announced that without significant and immediate support it will need to close its doors or greatly reduce public access. The celebrated comedy will play in an 8:00 pm performance on Saturday, April 25 at the Schacht Fine Arts Center of Russell Sage College in Troy.
Tickets benefiting RCHS are available for $30 (Friends of the Family), $50 (Wedding Party), and $100 (Honored Guests) levels. Ticket cost is tax-deductible, and additional donations are welcomed. Tickets may be purchased online or by calling (518) 272-7232, ext.12. All tickets will be held at the box office for pickup the night of the performance.
New Exhibit On Native American Performing Arts Opens
The Iroquois Indian Museum in Howes Cave, NY has announced the opening of their 2009 exhibition: “Native Americans in the Performing Arts: From Ballet to Rock and Roll.” America’s first Prima Ballerina, Maria Tallchief; Grammy winning singer/songwriter, Joanne Shenandoah; founding member of the Village People, Felipe Rose; and legendary Rock musician, Robbie Robertson are a few of the Native American performers featured in this dynamic new exhibition. [Read more…] about New Exhibit On Native American Performing Arts Opens
NYPL Acquires Papers of Theatrical Legends
The New York Public Library for the Performing Arts at Lincoln Center has acquired the papers of renowned performers and acting teachers Uta Hagen and Herbert Berghof. The collection consists of thousands of pages of unpublished correspondence, diaries, scripts and manuscripts, photographs, clippings and other documentation relating to the dynamic theatrical careers of both Hagen and Berghof. This collection of professional and personal papers, spanning nearly 100 years of theater history, is being made public for the first time. To celebrate the bequest, the Library is planning a series of eight free public programs featuring many close friends and colleagues of Ms. Hagen and Mr. Berghof’s including such figures as Harold Prince, Edward Albee, David Hyde Pierce and Eli Wallach.
The collection consists of 99 boxes of papers totaling 49 linear feet and provides in-depth insight about Ms. Hagen and Mr. Berghof’s personal life, their working processes in various theater productions, and their renowned acting school HB Studio, and includes correspondence from esteemed personalities such as Katharine Hepburn, Tennessee Williams, José Ferrer, David O. Selznik and Thornton Wilder.
Ms. Hagen’s papers include correspondence to and from her family, as well as other Hagen family papers. Her letters to her father Oskar Hagen – whom she playfully refers to many times as “papalop” – reveals new details of her personal and professional life. Of particular interest are various letters mentioning segregation during the Othello tour (1943-1945) with Paul Robeson and her then-husband, José Ferrer, and her diaries and notebooks which detail character studies for many of her roles. A notebook Hagen kept during rehearsals of Who’s Afraid of Virginia Woolf? is overrun with a range of notes and observations regarding character motivation and psychology. In one section, she writes: “Attacking George for being a failure all the time. Motive; ashamed of his dependence on my father….aware of his subservience.”
Mr. Berghof’s papers document the many productions which he performed in, directed, adapted, translated, or developed. The productions and projects span his entire career from the late 1920s to his final project in 1990. Included are materials and correspondence with Samuel Beckett regarding Waiting for Godot.
The collection, entitled the “Uta Hagen/Herbert Berghof Papers” was bequeathed by Uta Hagen to the Billy Rose Theatre Division in 2007. It will be housed in the Billy Rose Theatre Division of The New York Public Library for the Performing Arts at Lincoln Center.
A tour de force in the theater world for over seven decades, Uta Hagen’s numerous leading roles included Martha in the original Broadway production of Who’s Afraid of Virginia Woolf? in 1962 (for which she won a Tony Award), Desdemona opposite Paul Robeson’s Othello, and Blanche DuBois opposite Marlon Brando in A Streetcar Named Desire. She taught at the tremendously influential acting school HB Studio, where her students included Matthew Broderick, Robert DeNiro, Liza Minnelli, Al Pacino, Amanda Peet, and Jason Robards. Ms. Hagen married its founder, the actor, director and writer Herbert Berghof in 1957.
Mr. Berghof, who died in 1990, remains one of the most revered acting coaches in theater history. During the years he presided over HB Studio, the roster of alumni included – in addition to the ones mentioned above – actors such as Anne Bancroft, Geraldine Page, and Fritz Weaver. Mr. Berghof also had immense success outside of the school, and garnered much praise for directing the American premiere on Broadway of Samuel Beckett’s Waiting for Godot in 1956 and the first all-Black cast version of the play in 1957.
Free Public Programs for Uta Hagen/Herbert Berghof Papers will take place in the Bruno Walter Auditorium in The New York Public Library for the Performing Arts at Lincoln Center located at 111 Amsterdam Avenue (between 64th and 65th streets). Admission to all programs is free and first come, first served. For information, please call (212) 642-0142 or visit www.nypl.org/lpaprograms. Programs are curated by Alan Pally, Manager of Public Programs at the Library for the Performing Arts.