History, Natural History & the Arts
The era of “Monster Concerts” started in Vienna in 1839 when Beethoven’s pupil Carl Czerny organized a performance to raise money for victims of a flooding of the River Danube.
Twenty pianists at ten pianos performed a program of four-hand duet pieces. In the history of musical entertainment, the tradition was raised to a new level after the end of Civil War in America. [Read more…] about Showmanship: The Master of Brass Meets The King of Waltz
The Folklife Center at Crandall Public Library in Glens Falls has announced the return of its Folklife After Hours Series with Songs Celebrating 100 Years of Votes for Women by Tisha Dolton, set for Monday, March 29th. [Read more…] about Songs Of The Women’s Suffrage Movement Watch Party Monday
The modern banjo derives from mid-1600 instruments that had been used in the Caribbean by enslaved people taken from West Africa. The original version was made from a hollowed-out (hard-skinned) gourd and a varying number of horsehair strings. [Read more…] about Banjo Pickers and Harlem-On-The-Seine
Switzerland may not a member of the European Union, but it is part of the Schengen border-free travel zone. Checkpoints between countries are put up only during emergencies. The recent influx of refugees led to a decision for the border to be sealed, making Lake Como a migrant frontline. Those with the means to do so have turned to locals to help them cross the Alps on their journey towards Germany or Britain. [Read more…] about MicroHistory and Migration: From Moltrasio to London, New York and Montreal
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The new book Sittin’ In: Jazz Clubs of the 1940s and 1950s (Harper Design, 2020), by Grammy-winning historian, archivist, author, and record executive Jeff Gold offers a new look inside the jazz clubs from this era across the United States. Drawing on a trove of photos and memorabilia, Sittin’ In gives a glimpse at a world that was rich in culture, music, dining, fashion, and more. [Read more…] about New Book About 1940s-1950s Jazz Clubs
Equestrian artist Philip Astley was a pioneering entertainment entrepreneur. His demonstrations of trick horse-riding at London’s Royal Amphitheatre in 1768 constitute the origins of modern circus.
Astley performed his routine in a circular arena which would subsequently be referred to as the ring. He interspersed his displays with a variety of additional acts. Both in Europe and America other producers copied and expanded his new style of entertainment. [Read more…] about Circus Artists and the Flying Trapeze Metaphor
Many eighteenth century publicans framed a list of pre-conditions for the “perfect” tavern which was displayed in full view in British public houses and drinking dens.
The advice to customers consisted of “Twelve Good Rules” that dated back to the rule of Charles I: [Read more…] about Twelve Tavern Rules, Thirteen Toasts and America’s 1814 Anthem
Born in 1799, Clemente Bassano (the family name originates from the Veneto region of Italy) settled in London and started his career as a fishmonger in Soho. By 1825 he ran a warehouse from Jermyn Street, St James’s, importing almonds, oil, capers, and macaroni.
His daughter Louise was an opera singer who toured with Franz Liszt on his London visit in 1840/1. Her brother Alessandro became a high society photographer with a studio in Regent Street. His portrait of Horatio Kitchener was used during the First World War for an iconic recruitment poster. [Read more…] about Harlem’s “Black Beauty” Mills; London’s Josephine Baker
The early history of the city of New York’s vaunted theater district provides yet another illustration of how oft-repeated narratives become accepted truths. On the website of the New York Preservation Archive Project, we find the following:
“The Broadway Theater District originated in the early 1900s as theaters began to move from Union Square and Madison Square Garden further uptown to the Times Square area because of its cheaper real estate.” [Read more…] about The Odd Couple Who Paved the Way for Modern Broadway
The Sembrich has launched the final presentation in its 20/20: Virtual Visionaries summer festival with “Quiet City: A Reverie for New York in the time of COVID-19.”
This new presentation includes a new essay by music critic and scholar Thomas Larson and Aaron Copland’s iconic work Quiet City featuring trumpet player Chris Coletti and members of The Philadelphia Orchestra. [Read more…] about Quiet City: A Reverie for NY in the Time of COVID-19