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painting

American Sporting Prints: 19th Century Horses & Horsemen

May 17, 2022 by Guest Contributor Leave a Comment

Detail from Alvan Fisher's "Eclipse with Race Track" (1823) courtesy Munson-Williams-Proctor Arts InstituteThe American Turf Register and Sporting Magazine, as early as 1829, had pictures of noted horses, engraved by well-known steel-gravers from paintings by Alvan Fisher [1792-1863] and J. Cone [possibly J. Cone Ruitiar]. A few years later the New York Spirit of the Times was issuing engravings from paintings principally by Edward Troye [1808-1874].

It all amounts to a gallery of horse notables: Fashion, Glencoe, Lightning, Shark, Leviathan, Monarch, and down the list. There are interesting side-lights on the costume of the boys holding their equine charges, one with an Eton jacket and a cap much like that worn by the American troops during the Mexican War, another brave in Hessian boots and epaulets. It is, however, principally the quicker lithographic process that pictured His Majesty the Horse. [Read more…] about American Sporting Prints: 19th Century Horses & Horsemen

Filed Under: Arts, Capital-Saratoga, History, New York City Tagged With: Art History, Cultural History, Horses, Library of Congress, Material Culture, painting, Social History, Sports History, Vice

James Eights: An Albany Artist-Scientist Who Explored Antarctica in 1830

May 15, 2022 by Peter Hess 1 Comment

portrait of James EightsIn the late 1700s and early 1800s, there were a growing number of adventurers anxious to explore the sea, find new lands, chart new islands, and if they made their fortune while doing it, all the better.

There were also those just trying to get away from home and signing on to a whaling ship seemed the adventure of a lifetime. [Read more…] about James Eights: An Albany Artist-Scientist Who Explored Antarctica in 1830

Filed Under: Arts, Capital-Saratoga, History, Nature Tagged With: Albany, Albany County, Albany Institute of History & Art, Geography, Geology, James Eights, Marine Life, Maritime History, painting, Rensselaer County, RPI, Science History, Whaling, Wildlife

Art of Edward Lange Project Launched With Website, Events

May 9, 2022 by Editorial Staff Leave a Comment

Edward Lange, [Northport, Lower Main Street], 1880 from the Collection of Preservation Long IslandPreservation Long Island has announced the Art of Edward Lange Project, a collaborative effort to reexamine the life and art of Edward Lange (1846–1912), a German immigrant and prolific landscape painter who worked in and around Huntington, Long Island during the 1870s and 1880s. Lange sketched and painted town centers, local businesses, and private residences. [Read more…] about Art of Edward Lange Project Launched With Website, Events

Filed Under: Arts, Events, History, New Exhibits, New York City Tagged With: Art History, Cold Spring Harbor Exhibition Gallery, Cultural History, Huntington, Long Island, painting, Preservation Long Island, Suffolk County, Town of Huntington Historic Partnership

Four Nymphs, a Satyr and Manhattan’s Ladies’ Mile

May 8, 2022 by Jaap Harskamp Leave a Comment

Portrait of John David WolfeUntil the mid-1860s the Fifth Avenue area around Madison Square was Manhattan’s “aristocratic” heart. Its brownstone mansions were occupied by the city’s elite. The gradual incursion of commerce into this residential haven started with high-class hotels.

In 1864 Hoffmann House was one of the first to open its doors. Owned by Cassius H. Read, it was located on the corner of 25th Street & Broadway and contained tree hundred rooms with all the latest conveniences. The establishment proudly advertised its lavish furnishings, carefully chosen artworks, and refined French (Parisian) cuisine. At a time that hotel living was becoming a fashionable alternative to owning a family mansion for wealthy New Yorkers, Hoffmann House was recommended as the most comfortable and homelike residence in the metropolis.

During the 1880s the hotel’s “grand salon” became one of New York’s “secretive” attractions for a very specific reason. [Read more…] about Four Nymphs, a Satyr and Manhattan’s Ladies’ Mile

Filed Under: Arts, History, New York City Tagged With: American Museum of Natural History, Anthony Comstock, Art History, Crime and Justice, Cultural History, French History, Hudson River Railroad, James Fisk, Manhattan, Metropolitan Museum of Art, New York City, painting, Pop Culture History, Vice

Life and Artistic Legacy of Sidney Simon

April 22, 2022 by Clare Sheridan Leave a Comment

crossroads of rockland historyOn the April episode of Crossroads of Rockland History we explored the life and artistic legacy of Sidney A. Simon (1917–1997). On the occasion of an exhibition of his works at the Blue Hill Art and Cultural Center (Pearl River, NY), two of Simon’s children, Teru Simon and Mark Simon, joined Clare Sheridan to share memories of their father and their own recollections of growing up on South Mountain Road in Rockland County. [Read more…] about Life and Artistic Legacy of Sidney Simon

Filed Under: Arts, History, Hudson Valley - Catskills, New York City Tagged With: Art History, Education, painting, Podcasts, Rockland County, sculpture

George Deem, Bulldozers and Stalinist Suppression

April 11, 2022 by Jaap Harskamp 3 Comments

George DeemManhattan artist George Deem is remembered for referencing the history of painting by re-imagining Old Masters in a contemporary context. He re-configured iconic pictorial images through visual ploys such as repetition and erasure, or through the addition of components of contemporary life and art. [Read more…] about George Deem, Bulldozers and Stalinist Suppression

Filed Under: Arts, History, New York City Tagged With: Art History, Chicago, Cultural History, Literature, Long Island, Manhattan, Metropolitan Museum of Art, modernism, New York City, painting, Russian History, Writing

Macabre Mania From Charles Allan Gilbert to Andy Warhol

March 8, 2022 by Jaap Harskamp 2 Comments

Cimitero dei Cappuccini, Roma, late 1870sThe ossuary under the church of Santa Maria della Concezione dei Cappuccini at Via Veneto in Rome houses the skulls and bones of some 4,000 former Capuchin monks who were interred there between 1631 and 1870. The dead were buried without coffin and later exhumed to make room for newly deceased. Their remains were transformed into “decorative designs.”

In the summer of 1867 Mark Twain visited the Capuchin Convent and recorded his observations of the crypt’s “picturesque horrors” in The Innocents Abroad. What the novelist witnessed were arches built of thigh bones; pyramids constructed of “grinning” skulls; and other structures made of shin and arm bones. Walls were decorated with frescoes showing vines produced of knotted vertebrae; tendrils made of sinews and tendons; and flowers formed of knee-caps and toe-nails. [Read more…] about Macabre Mania From Charles Allan Gilbert to Andy Warhol

Filed Under: Arts, History, New York City Tagged With: Art History, Cemeteries, Cultural History, Halloween, Manhattan, New York City, painting, Performing Arts, Theatre, womens history

Painter Hubert Vos’s ‘Exotic People’: Maastricht to Manhattan and Beyond

February 23, 2022 by Jaap Harskamp 1 Comment

Fernand Cormon painting at the easel surrounded by students, 1886In spring 1905, painter Hubert Vos received a letter at his Manhattan residence from the Dutch Legation in Peking inquiring if he would be able and willing to travel to China and paint the portrait of a prominent official. The invitation was vague, but too tempting to refuse for a painter who had made the portraiture of racial types his specialty. [Read more…] about Painter Hubert Vos’s ‘Exotic People’: Maastricht to Manhattan and Beyond

Filed Under: Arts, History, New York City Tagged With: Art History, Cultural History, Dutch History, Manhattan, New York City, painting, womens history

Jonathan Swift’s Oyster Test: Oysters, Sex and Culture

January 22, 2022 by Jaap Harskamp Leave a Comment

satirical print after Robert Dighton, Molly Milton, the Pretty Oyster Woman, 1788At least since Roman times oysters were associated with sex. The most obvious reason for this association is the oyster’s resemblance to the pudendum. Raw oyster was praised as an aphrodisiac. Giacomo Casanova boasted to have eaten fifty at breakfast together with a lady of his fancy.

European painters used oyster as a symbol of fertility and sexual pleasure. Aphrodite (Venus), the Goddess of love and lust, was blown over sea on an oyster shell landing at either Cythera of Cyprus (both islands were regarded by the Greeks as territories of Venus). In “The Birth of Venus” Botticelli painted her approaching the shore on a giant oyster (clam) shell. By then, the associations with female beauty and physical love were well established. [Read more…] about Jonathan Swift’s Oyster Test: Oysters, Sex and Culture

Filed Under: Arts, History Tagged With: Art History, Culinary History, Cultural History, Food, Literature, Musical History, Oysters, painting, Poetry, Vice

War Artists’ Tragedy & Farce: The Americanized ‘Temple of War’

November 21, 2021 by Jaap Harskamp 1 Comment

Pantheon de la Guerre Mural detail (National World War I Museum).On April 13, 1927, the Thomas Jefferson Association sponsored a reception aboard the SS Paris before the departure of a massive painting from Le Havre to New York’s Pier 57 with the crate containing the art work resting on its deck.

The panoramic “Panthéon de la Guerre” (Temple of War) was heading for Madison Square Garden where it was to be exhibited in aid of the Association (the day of leaving coincided with Jefferson’s birth date).

A spectacular opening night in New York on May 19 was attended by 25,000 people and the show attracted a million visitors in eight weeks. The “Temple” created enormous curiosity.  [Read more…] about War Artists’ Tragedy & Farce: The Americanized ‘Temple of War’

Filed Under: Arts, History, New York City Tagged With: Art History, Cultural History, fair, French History, German-American History, Military History, New York City, painting, World War One

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