Anthony M. Tung, author of Preserving the World’s Great Cities: The Destruction and Renewal of the Historic Metropolis
and former New York City Landmarks Preservation Commissioner, will present a talk that envisions the state of urban preservation on different continents at the moment when Mayor Robert F. Wagner signed the New York City Landmarks Preservation statute in 1965. With the process of civilization unfolding at varying speeds, igniting the upheaval of urban modernization, how did the heritage of London, Beijing, Mexico City, Rome, and Warsaw fare? Mr. Tung will show accompanying photographs to complement his lecture.
The event will be held Wednesday, December 10th at 6:30 PM at Grace Church School, 84 Fourth Avenue, NYC; admission is free but reservations are required. RSVP to hdc@hdc.org or (212) 614-9107. This event is co-sponsored by the Greenwich Village Society for Historic Preservation and Neighborhood Preservation Center.
New York City
Rock And Roll Hall of Fame Annex Opens Today
Starting today, the Rock and Roll Hall of Fame’s New York Annex will open its doors for a preview; the Annex will open officially December 2nd. Daily News Music Critic Jim Farber had an interesting piece this past weekend that included an online sneak preview of the exhibits and some details about the new museum.
Occupying 25,000 square feet at 76 Mercer St. in SoHo, the Annex takes up one-fourth as much space as the Ohio-based museum, though the new outlet charges four dollars more for entry: $26, to Cleveland’s $22… Upon arriving, visitors receive high-end headsets, designed by Sennheiser, which blast songs keyed to wherever you stand. Position yourself in front of a Bob Gruen photo of Freddie Mercury, and a Queen song pours forth. Stand by Bruce Springsteen’s 1957 Chevy, and you hear car songs by the Boss.
Six distinct galleries make up the $9 million structure. They’re divided into categories, like “Roots & Influences,” which traces sounds that connect — say, Billie Holiday to Amy Winehouse. Another more loosely defined gallery calls itself “Moments to Movements” and features things like Madonna’s Gaultier bustier. Naturally, there’s a significant “Guitar Hero” section, complete with Jimi Hendrix’s fading, handwritten lyrics to “Purple Haze” and Angus Young’s crushed- velvet schoolboy suit. A “Poets” section contains some of the Annex’s rarest artifacts, including a never-before-heard 1961 recording of Bob Dylan
playing a private show in the Village.To suit its setting, the Annex devotes major space to New York rock. Besides the CBGB installation, it boasts wigs sported by Debbie Harry and turntables used by Grandmaster Flash. A handbill from the Fillmore East advertises a show any classic-rock fan would kill to have seen: Traffic, Fairport Convention and Mott the Hoople playing the East Village venue in June 1970.
Highlighting the New York section is a 26-foot scale model of Manhattan. It’s lit up in 24 places that mark key locations in rock history, ranging from the site of the Mudd Club to the St. Marks Place building pictured on the cover of Led Zeppelin’s “Physical Graffiti.” Touchscreens tell the history of each site.
Special exhibits will rotate every six months. This first will be about the British Punk group The Clash.
If you sign up at rockannex.com you’ll have an opportunity to win tickets to a private preview night on December 1st.
Beacons To Commemorate British Departure
The Hudson Valley Press Online is reporting on plans to mark the 225th anniversary of the evacuation of British troops on November 25, 2008 by lighting a series of five local beacons that “replicate the original signal locations used by the Continental Army during the Revolutionary War.” The plan is a project of the Hudson River Valley National Heritage Area, Scenic Hudson, the New York State Office of Parks, Recreation and Historic Preservation, the Palisades Parks Conservancy, and the Palisades Interstate Park Commission:
These vital systems summoned the militia in both New York and in neighboring New Jersey and warned residents of the approaching British Redcoats. The types of beacons varied from tar barrels on top of poles, to pyramids, to wooden towers filled with dried grass or hay that could be ignited. The beacons enabled quick and effective communication with troops throughout the lower Hudson River Valley.
Instead of lighting fires, Palisades, the Hudson River Valley National Heritage Area, and Scenic Hudson will create a symbolic Xenon light display that will light up Hudson River Valley National Heritage Area from Bear Mountain State Park to Beacon. This project is also part of the larger interstate effort with national heritage area partners in New Jersey, the Crossroads of the American Revolution National Heritage Area. Six additional Beacons will be lit in New Jersey. The total project area will stretch from Princeton, NJ to Beacon, NY.
The five locations will include:
Bear Mountain State Park, Bear Mountain, NY
Storm King Mountain State Park, Cornwall, NY
Washington’s Headquarters State Historic Site, Newburgh, NY
Scenic Hudson’s Mount Beacon, Beacon, NY
Scenic Hudson’s Spy Rock (Snake Hill), New Windsor, NY
While we’re at it, here is a story about Saturday’s relighting of the lamp on top of the Prison Ship Martyrs Monument in Fort Greene Park, Brooklyn. It has been for 87 years and commemorates those who died in the British Prison ships in New York Harbor during the American Revolution.
Three Outstanding History Blog Series
Here at the New York History blog, I follow hundreds of history oriented blogs, good and bad, from around New York and around the nation. Some of the best have focused their work through regular posts on unique topics – call it “serial blogging.” Here are three of the more outstanding examples:
The Bowery Boys: Know Your Mayors
According to the Bowery Boys, their regular series “Know Your Mayors” is a “modest little series about some of the greatest, notorious, most important, even most useless, mayors of New York City.” Recent posts have covered “Philip Hone, the party mayor,” and “Hugh Grant, our youngest mayor” – he was just 31. Check out the entire series here.
Bad Girl Blog: Why I Started Chasing Bad Girls
Brooklynite Joyce Hanson describes her Bad Girl Blog as “a chronicle of my research, experiments and studies about wild women in both history and the present–and my struggle to be more like them.” Hanson’s series “Why I Started Chasing Bad Girls” offers a little insight into the author herself and women she’s hoping to emulate (at least a little more). Posts have included Isabelle Eberhardt who Hanson describes as “A Russian Jew who converted to Islam, Isabelle Eberhardt ran off to the Sahara Desert in 1899 when she was 22, served as a war correspondent for an Algerian newspaper, dressed as a man and called herself Si Mahmoud, slept with Arab boys, routinely smoked kif, and drank absinthe and chartreuse until she fell asleep on the dirt floor of whatever random café she happened to be passing through.” Hanson has also written about Bessie Smith, Empress Theodora of Constantinople, and Victoria Woodhull. You can read all the posts in the series here.
Early American Crime: Convict Transportation
Independent scholar Anthony Vaver’s blog Early American Crime only began in September, but he has already staked some substantial bloggy ground with what he calls “an exploration of the social and cultural history of crime and punishment in colonial America and the early United States.” Vaver’s short series on convict transportation to the American colonies has covered “Early uses of Convict Transportation,” “The Transportation Act of 1718,” and “The Business of Convict Transportation.” You can read the entire series here.
Aircraft Carrier Intrepid Returns to Pier 86
The aircraft carrier USS Intrepid returned home to Manhattan last week. The Intrepid Sea, Air & Space Museum’s grand re-opening celebration will be held on Veterans Day, November 11, 2008. Intrepid left her berth at Staten Island’s Homeport Pier on October 2, and was moved north to the brand new Pier 86 following a 22-month overhaul (NYT).
According to Newsday:
Bill White, president of the Intrepid Sea, Air & Space Museum, said the museum has paid $10 million to dredge more Hudson River mud – more than 90,000 cubic yards – than was done for the first unsuccessful attempt to move the 900-foot-long ship to a New Jersey dry dock. And for good measure, the ship’s four 16-ton, bronze, 22-foot-diameter propellers have been permanently removed so they can no longer serve as unwanted anchors. “I am 100 percent confident she will come back in with no problems,” White said.
The ship reopens to the general the public after a private event Nov. 8 at Pier 86, at 12th Avenue and West 46th Street. After an expenditure of almost $120 million since the carrier was finally relocated in December 2006, visitors will see new exhibits, areas of the 29,000-ton ship launched in 1943 that were formerly off limits during its first 23 years on display and additional historic aircraft and they have access from a newly built pier topped by a free park.
The 2008 Veterans Day Parade has been rerouted west across 42nd Street, and north up 12th Avenue, with the parade passing the Intrepid Museum. 5,000 of the parade’s veterans will take part in the Museum’s grand re-opening celebration.
While in Staten Island, Intrepid will undergo the next phase of her refurbishment, and receive an $8 million interior renovation. Of that, $4.5 million has been privately raised – $3.5 million is yet to be procured. Never-before-seen areas of the ship including to the focasle (commonly known as the anchor chain room), general berthing quarters and the ship’s machine shop will be opened to the public for the first time. The hangar deck will feature a new layout and design including new interactive exhibits.
Expanded Brooklyn Children’s Museum Reopens
The Brooklyn Children’s Museum reopened Saturday after a year-long closure for an expansion and redesign. According to the New York Times:
The museum doubled the size of its city-owned building — with $48 million in city money and $32 million raised by the museum — to 102,000 square feet. As Robin Pogrebin reported in The Times in February, the project struggled through financial hardships. The museum itself lacked a strong physical identity, because most of its space has been underground since a 1977 design by Hardy Holzman Pfeiffer Associates created two lower levels. The greatly enlarged museum now hopes to improve its annual visitor total to 400,000 by 2010, from about 250,000 before the museum closed last September for the final stage of the renovation.
A pioneer in education, the Brooklyn Children’s Museum was the first museum created expressly for children when it was founded in 1899. Its success has sparked the creation of 300 children’s museums around the world. It is the only children’s museum in New York City, and one of few in the country, to be accredited by the American Association of Museums. The Museum encourages children to develop an understanding of and respect for themselves, others and the world around them by exploring cultures, the arts, science, and the environment.
The just-completed expansion features eco-friendly design in hopes of attaining LEED certification – it’s said to be the first “green” museum in New York City. In keeping with the Museum’s commitment to preserve and protect the world’s natural resources, it uses environmentally advanced, sustainable, renewable and/or recyclable materials and systems in the building’s design and construction.
Brooklyn Children’s Museum is one of the few children’s museums in the world with a permanent collection, including nearly 30,000 cultural objects and natural-history specimens. The cultural collection contains both ancient and present-day objects, including musical instruments, sculpture, masks, body adornments, and dolls, as well as everyday household and personal items. The natural-history collection contains rocks, minerals, and fossils, as well as mounted birds, mammals, insects, and skeletons (highlights include the complete skeleton of an Asian elephant, dinosaur footprints, and a whale rib).
For years, much of the collection has been inaccessible to the public simply because of space limitations. Now, an expanded collection study area allows the Museum to display more of the collection and to offer more hands-on activities—so children learn by touching as well as by looking.
Edgar Allan Poe in New York City
The blog Ephemeral New York is taking note of the Edgar Allan Poe house museum in The Bronx, which is closing in the spring for year long renovations:
“In 1846, Edgar Allan Poe, his wife (and cousin) Virginia, and his mother-in-law moved from Manhattan to a little wooden house built in 1812 in The Bronx’s rural Fordham neighborhood. The isolated, modest home, which rented for just $100 a year, must have suited Poe well; he wrote “Annabel Lee” and “The Bells” there.
But his time in the house would be short. Virginia succumbed to tuberculosis in 1847. Poe died in 1849 in Baltimore.”
According to the blog, in 1905, the New York State Legislature set aside preservation funs, and in 1910 the house was moved to Kingsbridge Road and the Grand Concourse. New York City is a perfect location for a memorial to Edgar Allan Poe – he loved the city, any city.
The Boston of Edgar Allan Poe’s birth in 1809 was one of the world’s wealthiest international trading ports and one of the largest manufacturing centers in the nation. It was also a city of squalor and vice, with a grim and ghastly underworld. It was a fitting start for Poe, whose mother and father (both actors) died when he was young. He came to be a master of the macabre weaving elaborate short stories into a shroud of mystery and death and launching a number of new American pop culture phenomenons.
Poe was a man of the new American city, having lived in the five largest cities in America during his lifetime. His first published work – Tamerlane and Other Poems (1827) – was credited only to “a Bostonian,” but as a young boy he was taken from his native city to Richmond, Virginia, and in his short life he also lived in Charleston, Philadelphia, Baltimore, New York City and the world’s largest city – London.
Poe was a sport, a libertine, as familiar with gambling, hard drinking, and womanizing, as he was with his many literary pursuits. Known to frequent Oyster cellars, brothels, casinos, and other dens of inequity, his literary work reflects the characters he met in his own life, the scoundrels, the bawdy women, and those on the margins of society – he delighted in showing local police unsympathetically in his writing.
Poe was also the first well-known writer in America to try and earn a living through writing alone. As a result, he suffered financially throughout his career until the day he was found on the streets of Baltimore, delirious and “in great distress… in need of immediate assistance” according to the man who found him. At the time of his death, newspapers reported Poe died of “congestion of the brain” or “cerebral inflammation”, common euphemisms for death from a disreputable cause like alcoholism. Thanks to a disparaging, and now long forgotten literary rival, Poe’s death at 40 remains a mystery – in the end he was the personification of a genre he is credited with inventing.
Poe’s The Murders in the Rue Morgue (1841) is the first true detective story. The Dupin character established a number of literary devices that inspired the likes of Sherlock Holmes and Hercule Poirot – the brilliant detective, his personal friend serving as narrator, and the final revelation offered before the reasoning is explained. But beyond inventing the detective mystery, Poe is best known as a master of the physiological horror story. The Cask of Amontillado, The Fall of the House of Usher, The Masque of the Red Death, The Pit and the Pendulum, The Tell-Tale Heart, and The Raven are disturbing and unsettling works that have found their way into popular culture in literature, music, films, and television. Poe’s writing influenced the creation of science fiction (he often mentioned emerging technologies, such as those in The Balloon-Hoax), and the areas of esoteric cosmology and cryptography. He continues to influence Goth pop culture.
Poe’s most recurring themes deal with death, its physical signs, the effects of decomposition, premature burial, reanimation of the dead, and mourning. But outside horror, Poe also wrote burlesque, satires, humor tales, and hoaxes often in an attempt to liberate the reader from cultural conformity – he wrote for the emerging mass market by including popular cultural phenomena like phrenology and physiognomy. He was also a literary critic, and a newspaper and magazine editor.
A New Book: Thomas Nast vs Boss Tweed
Morgan James Publishing has announced a new book on the Tammany Hall / Thomas Nast conflict titled Doomed by Cartoon: How Cartoonist Thomas Nast and the New York Times Brought Down Boss Tweed and His Ring of Thieves
(by John Adler and Draper Hill). According to a recent press release:
In many respects, a nineteenth century story of David and Goliath. The legendary politician, Boss Tweed, effectively controlled New York City from after the Civil War until his downfall in November 1871. A huge man of almost 300 pounds, he and his Ring of Thieves appeared to be invincible as they stole an estimated $30 to $200 million—up to $2 billion in today’s dollars.
In addition to the city, county and state government, many judges and the police, the Tweed Ring effectively controlled the press except for Harper’s Weekly, American’s leading illustrated newspaper, and (after August 1870) The New-York Times.Thomas Nast was the most dominant American political cartoonist of all time. Physically, he was a head shorter than Tweed and about half his weight. Using his pen as his sling, he attacked Tweed almost single-handedly before the Times joined the battle in September 1870. After the Ring was beaten, Nast caricatured what happened to Tweed and his cohorts as justice pursued each of them.
Where Doomed by Cartoon differs from previous books about Boss Tweed is its focus on look¬ing at circumstances and events as Thomas Nast visualized them in his 160-plus cartoons, almost like a serialized but intermittent comic book covering 1866 through 1878. It has been organized to tell the Nast vs. Tweed story so that ordinary readers with an interest in politics, history and/or cartoons—or just in a uniquely caricatured political adventure story—will enjoy it.
For those who don’t recall, Tweed was arrested in 1872 and convicted the following year. He was sentenced to 12 years prison sentence, but that was reduced on appeal and he ended-up serving only one year. After his re-arrest on civil charges he was held in debtors prison. On January 3, 1875 Tweed escaped, fled to Cuba, but was arrested there by Cuban authorities. He then bribed his way onto a ship bound for Spain but was again arrested as he entered the Spain and returned to New York where he was re-imprisoned. Tweed died in the Ludlow Street Jail on April 12, 1878 and was buried in Brooklyn.
Taxidermy History in New York State – Carl Akeley
Here is a recent news item regarding the re-installation of what is believed to be “probably the world’s largest mounted fish, maybe the largest piece of taxidermy in the world” – a 73-year-old, 32-foot, mounted whale shark caught off Fire Island in 1935 and believed to have weighed about 8 tons (16,000 pounds). It has been freshly restored was unveiled at the Suffolk County Vanderbilt Museum in Centerport, where it was damaged by water leakage that closed part of the museum in 1996.
The unveiling got us thinking about the history of taxidermy in New York. According to the great wiki.
As the demand for quality leather and hides grew, the methods became more and more sophisticated. By the 1700s, almost every small town had a prosperous tannery business. In the 1800s, hunters began bringing their trophies to upholstery shops where the upholsterers would actually sew up the animal skins and stuff them with rags and cotton. The term “stuffing” or a “stuffed animal” evolved from this crude form of taxidermy.
It should be added that taxidermy got a boost during the 18th century fascination with natural science presented to the public through exhibitions of strange and exotic animals brought from distant lands and installed in cabinets of wonder, early museums, and the like.
In France Louis Dufresne, taxidermist at the Muséum national d’Histoire naturelle from 1793, popularized arsenical soap in an article in Nouveau dictionnaire d’histoire naturelle (1803–1804). This technique enabled the Muséum to build the greatest collection of birds in the world.
In the early 20th century, taxidermy began to evolve into its modern form under the leadership of artists such as Carl Akeley, James L. Clark [that’s him in the photo at the American Museum of Natural History], William T. Hornaday, Coleman Jonas, Fredrick and William Kaempfer, and Leon Pray. These and other taxidermists developed anatomically accurate figures which incorporated every detail in artistically interesting poses, with mounts in realistic settings and poses that were considered more appropriate for the species. This was quite a change from the caricatures that were popularly offered as hunting trophies.
Carl Akeley has a special place in New York taxidermy. His lifelike creations were installed in dioramas at the American Museum of Natural History in New York and can be seen in the museum’s Akeley African Hall (he also is considered the founder of a New York City staple – shotcrete).
Akeley was born in Clarendon, NY, and learned taxidermy in nearby Brockport and Rochester. In 1886 he moved to the Milwaukee Public Museum where he created one of the world’s first complete museum habitat dioramas in 1890. Akeley specialized in African mammals; rather then “stuffing” the animals he fit their skins over a form of the animal’s body.
In 1909 Akeley accompanied Theodore Roosevelt to Africa and began work at the American Museum of Natural History. In 1921 he traveled to Mt. Mikeno in the Virungas at the edge of what was then Belgian Congo to try and figure out if killing gorillas was justified. According to a Milwaukee exhibit, he eventually opposed hunting them for trophies but continued to support killing them for science and education purposes. He worked for the establishment of Africa’s first national park – Virunga (home of Dian Fossey and her famous gorilla in the mist and now under serious threat).
He was also interested in filmmaking and photography. Eileen Jones’s PhD dissertation in 2004 concluded that “representations of the African landscape and African fauna in the Akeley Memorial African Hall… were antithetical to assumptions about the impenetrable wilderness of ‘Darkest Africa’ that previously had dominated American popular culture.”
The American Museum of Natural History holds the collection of his second wife and includes photos Akeley took in Africa and films of the mountings he did at the museum. He published an autobiography, In Brightest Africa, in 1923 but died on his fifth trip to Africa in 1926 and was buried there.
A Week of New York Disasters
This past week marks the anniversaries of quite a series of transportation disasters in New York History. Three of them have reached the media: the 1893 sinking of the Rachel in Lake George; the 1945 crash of a B-25 Mitchell bomber into the Empire State Building; and the crash of American Airlines Flight 1 into New York City’s Jamaica Bay in 1962.
The Schenectady Gazette has the story of the Rachel, which sank on Lake George killing ten (coincidently, the week also marks the anniversary of another Lake George sinking, that of the John Jay on July 30, 1856). On the night of August 3, 1893 the steamer Rachel was chartered by twenty nine guests of the Fourteen Mile Island Hotel to take them to a dance at the Hundred Island House.
The usual captain fell ill and went home early leaving the boat in the hands of a less experienced pilot. Under little or no moon light as the pilot steered unknowingly out of the channel and struck an old dock south of the hotel tearing a large hole in the side of the boat below the water line. Some of the passengers were caught on the shade deck and died quickly as the boat listed and almost immediately sank in 18 feet of water. “The shrieking, struggling passengers battled for life in the darkness,” one newspaper reported. With only her smokestack left above water, a number of men from shore had rowed boats from the two nearby hotels to the scene to rescue the survivors. A young man named Benedict, an excellent swimmer, dove for his sister Bertha but couldn’t find her. Nineteen-year-old Frank C. Mitchell, of Burlington, drowned while trying to save his mother who also drowned. Eight other women also drowned.
The 1962 American Airlines Flight 1 into Jamaica Bay was featured on last night episode of “Mad Men.” The series follows the lives of early 1960s Madison Avenue ad executives. If you haven’t seen it, you should, it’s an interesting portrayal of 1950s / 1960s consumerism – a time when people still smoked on TV. The storyline involves the ad guys dropping the small New York based regional airline Mohawk Airlines in an attempt to lure American Airlines in the aftermath of the crash. Mohawk had it’s own aviation disaster in 1969 when its Flight 411, a twin prop-jet commuter plane (a Fairchild-Hiller 227, a.k.a. Fokker F-27) flying from La Guardia Airport to Glens Falls in Warren County crashes at Lake George killing all 14 onboard.
The New York Times “City Room” has blogged the Flight 1 story extensively:
The real-life crash, which took place only five years after Pan Am became the first carrier to fly the 707, claimed the largest number of lives of any commercial aviation accident in the United States at that time [95]. (In the worst-ever plane crash on American soil, an American Airlines DC-10 crashed shortly after takeoff at O’Hare International Airport in Chicago on May 25, 1979, killing 273.)
The third New York disaster in the media this week comes from National Public Radio (NPR) which reported last week on the crash of a B-25 Mitchell bomber into the 79th floor of the Empire State Building (it swerved to just miss the Chrysler Building). The plane had been trying to make LaGuardia Airport in a very heavy fog. According to the blog History’s Mysteries:
Upon impact, the plane’s jet fuel exploded, filling the interior of the building with flames all the way down to the 75th floor and sending flames out of the hole the plane had ripped open in the building’s side. One engine from the plane went straight through the building and landed in a penthouse apartment across the street. Other plane parts ended up embedded in and on top of nearby buildings. The other engine snapped an elevator cable while at least one woman was riding in the elevator car. The emergency auto brake saved the woman from crashing to the bottom, but the engine fell down the shaft and landed on top of it. Quick-thinking rescuers pulled the woman from the elevator, saving her life.
NPR’s report (they also featured the Empire State building in their “Present at The Creation” series) includes audio of the actual crash and interviews with some of the survivors.
What a week – I’ve blogged before about disasters in the Adirondacks here.