New York Almanack

History, Natural History & the Arts

New York City

HDC Honors Thomas F. Pike With Landmarks Lion Award

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The Historic Districts Council will honor the many achievements of Rev. Dr. Thomas F. Pike with their 2009 Landmarks Lion award on October 28th, at the Players Club near his home on Gramercy Park. To learn more about the Lion ceremony, visit this site; to see one of the many things Reverend Pike is involved with currently, go to here. The following article is a preview from the upcoming issue of District Lines, the HDC’s newsletter.

Rev. Dr. Thomas F. Pike

Reverend Thomas F. Pike has helped run so many organizations devoted to preserving buildings and landscapes nationwide that when he walks around a place where he has been proactive, people stop him to say thanks. During a recent stroll through Gramercy Park, for which he currently serves as a trustee and archivist, Arlene Harrison, head of the neighborhood’s block association, came through the glossily painted black iron gates and hugged him. “We love this man, he’s very special, he’s the real, real deal,” she said. “He understands what this park means spiritually to this community.”

For four decades, Reverend Pike has served as an Episcopal rector at Manhattan churches while finding countless hours each week to volunteer as a leader at city agencies and nonprofits, including the Landmarks Preservation Commission, The New York Landmarks Conservancy, Partners for Sacred Places, Preservation League of New York State and Partnership for the Homeless. On Oct. 28, he will receive HDC’s Landmarks Lion award at the Players Club near his home on Gramercy Park.

On a balmy afternoon in the park a few weeks ago, he was asked to reflect on his influence and quietly replied, “When I look back, I just wish I’d done more.” He attributes his lifelong interest in performing good works for historic architecture partly to his childhood in progressive intellectual circles. He grew up in Hastings, New York, where his father, Frederick, managed a newspaper and was friendly with African-American scholars including City College sociologist Kenneth Clark and newspaper owner Alger Adams. In the late 1950’s, as an undergraduate at SUNY New Paltz, the future reverend at first studied painting, then switched career tracks as calls for social change swept the United States.

“The fight for civil rights was in full swing and the peace movement was in its early days,” he recalled. Soon after he received his Yale divinity degree in 1963, he was at the frontlines of these causes. “I was arrested five times: that gives you a flavor of my life,” he said. He spent overnights in jail for alleged offenses committed while protesting workplace discrimination, giving antiwar sermons and leading marches demanding emergency housing for black families left homeless by suspicious fires.

In 1971 he was hired as rector for what is now Calvary/St. George’s—the congregation owns two 1840’s churches near Gramercy Park—and until his retirement last year he conducted numerous services there daily. In the 1970’s and ‘80’s, as he patiently dealt with repairs on those structures, fellow clergy kept plaintively telling him about their own buildings’ hefty maintenance bills and how they were occasionally resorting to demolition.

“So I became more and more revved up about preserving religious buildings,” Reverend Pike said. “I began to see the relationship between preservation and social justice.” Old churches and synagogues, he added, “enable a community to tell its story honestly, tangibly, and graphically, in a way that can’t be denied. And the diversity of American religious buildings celebrates the diversity of our whole society. If we erase the buildings, we’re rewriting history.”

Serving in his numerous pro bono posts and grants-giving roles, he has persuaded other religious leaders to adapt structures for outreach projects including food kitchens, alcohol abuse treatment programs and temporary housing for the homeless. He has also advocated for the preservation of secular buildings in struggling neighborhoods, like the humble row of freed slaves’ homes in Bedford-Stuyvesant now called the Weeksville Heritage Center. “Buildings do not have to be beautiful to have powerful storytelling capacity,” the reverend said. “Preservation is not an elitist pursuit, although it’s sometimes thought of as a rich man’s sport.”

Gratitude for his organizations’ support, he added, has come from surprising sources. “I’ve been out to a Congregationalist church in Brooklyn where a young mother living across the street in an apartment building with every window broken came up to me and said, ‘Looking out every day and seeing that steeple repaired now—it gives us a sense of peace and a lot of hope.’ I’m absolutely convinced that architecture can change lives. I like to quote the philosopher Ernst Bloch, who said that architecture is an embodiment of hope. You only fix the roof of a place when you believe your community will be there for a long, long time. Every repair is a gesture of commitment to the future.”

The reverend’s retirement last year has allowed him and his wife Lys, a former director of the city’s Council on the Environment, more time to focus on their own landmark: a clapboarded 1790 farmhouse near Camden, Maine. They spend half the year there when not visiting their three children: Jean, an architect in New York; Nicholas, an assets manager in Boston; and Thomas Jr., an Army lieutenant-colonel about to be deployed on his second stint in Afghanistan.

Receiving a Lion award, Reverend Pike said, “feels comfortable, but I feel a little unworthy, too, since I know and admire so many past Lions. But I like being identified as a lion, a kind of radical preservationist. That brings together many threads of my life.”

NYC Landmarks Commission Designates Underground Railroad Site

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The New York City Landmarks Preservation Commission has voted to designate the Lamartine Historic District in West Chelsea [pdf]. This short stretch of 12 row houses on West 29th Street between Eighth and Ninth Avenues possess a rare connection to the history of New York and American civil liberties. More recently, the Gibbons-Hopper House at 339 West 29th Street has been the site of an attempt by the landlord to build (illegally according to the the Historic Districts Council) a penthouse addition. A grassroots advocacy organization, Friends of the Gibbons UGGR Site and Lamartine Place, convinced the City to act to preserve the block and revoke the building permits.

Here is a description of the property provided by the Historic Districts Council:

Originally constructed between 1846 and 1847, no. 337 West 29th street was acquired in 1851 by James S. Gibbons, a banker and writer, and husband of renowned abolitionist Abigail Hopper Gibbons. It was at No. 337 that Isaac T. Hopper, father of Abigail and a staunch abolitionist widely acknowledged as a father of the Underground Railroad, died in May 1852. The Gibbons family occupied the house for two years before acquiring the house next door at 339 West 29th Street in 1853. In his memoirs, the American lawyer and diplomat Joseph Hodges Choate, who was also a friend of the Gibbons family recollects dining with the Gibbons and a fugitive slave at No. 339 in 1855, citing the residence as a stop on the Underground Railroad. This is the best-documented evidence of a still-extant site serving as a “station” in the Underground Railroad in New York City.

Abigail Gibbons later invited black and white guests to stay at the house during the 1856 Anti Slavery Convention, and she also later met with abolitionist John Brown there. The building was attacked by mobs in 1862 during unrest around the Emancipation Proclamation and again in 1863 during the New York City Civil War Draft Riots, when the Gibbons’ daughters were forced to escape the angry mob by climbing over rooftops to their uncle’s home at 335 West 29th Street.

Photo: Historic Lamartine Place, now West 29th Street. Courtesy HDC.

‘Lincoln and New York’ Opens At New York Historical Society

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From the launch of Abraham Lincoln’s 1860 Presidential campaign with a speech at Cooper Union through the unprecedented outpouring of grief at his funeral procession in 1865, New York City played a surprisingly central role in the career of the sixteenth President—and Lincoln, in turn, had an impact on New York that was vast, and remains vastly underappreciated.

Now, for the first time, a museum exhibition will trace the crucial relationship between America’s greatest President and its greatest city, when the New-York Historical Society presents Lincoln and New York, from October 9, 2009 through March 25, 2010. The culminating presentation in the Historical Society’s Lincoln Year of exhibitions, events and public programs, this extraordinary display of original artifacts, iconic images and highly significant period documents is the Historical Society’s major contribution to the nation’s Lincoln Bicentennial. Lincoln and New York has been endorsed by the U.S. Abraham Lincoln Bicentennial Commission.

Serving as chief historian for Lincoln and New York and editor of the accompanying catalogue is noted Lincoln scholar and author Harold Holzer, co-chairman of the Lincoln Bicentennial Commission. He has also organized the Historical Society’s year-long Lincoln Series of public conversations and interviews. Serving as curator is Dr. Richard Rabinowitz, president of American History Workshop and curator of the exhibitions Slavery in New York and New York Divided: Slavery and the Civil War at the New-York Historical Society.

Lincoln and New York brings to life the period between Lincoln’s decisive entrance into the city’s life at the start of the 1860 Presidential campaign to his departure from it in 1865 as a secular martyr. During these years, the policies of the Lincoln administration damaged and then re-built the New York economy, transforming the city from a thriving port dependent on trade with the slave-holding South into the nation’s leading engine of financial and industrial growth; support and opposition to the President flared into a virtual civil war within the institutions and on the streets of New York, out of which emerged a pattern of political contention that survives to this day.

To begin this story, visitors follow the prairie lawyer eastward to his rendezvous with “the political cauldron” of New York in the winter of 1860. Visitors will learn something of his background and of the rapidly accelerating political crisis that had brought him to the fore: the battle over the extension of slavery into the western territories.

Then, in the six galleries that follow, visitors will discover the interconnections between these two unlikely partners: the ambitious western politician with scant national experience, and the sophisticated eastern metropolis that had become America’s capital of commerce and publishing.

Campaign (1859—1860) immerses visitors in the sights and sounds of the city, then the fastest-growing metropolis in the world, while re-creating Lincoln’s entire visit in February 1860 when his epoch-making address at the Cooper Union and the photograph for which he posed that same day together launched his national career. The displays will cast new light on the lecture culture of the antebellum city, the political divisions within its Republican organization, the strength of its publishing industry and the bustling, somewhat alien urban community that Lincoln encountered. The video re-creation of Lincoln’s Cooper Union speech, produced on site with acclaimed actor Sam Waterston’s vivid rendering of Lincoln’s arguments, brings that crucial evening to life. Visitors will re-enact for themselves how Lincoln posed for New York’s—and the nation’s—leading photographer, Mathew Brady, whose now-iconic photograph began the reinvention of Lincoln’s public image. As Lincoln himself said, “Brady and the Cooper Union speech made me President.”

Objects on view will include the telegram inviting Lincoln to give his first Eastern lecture, the lectern that he used at Cooper Union, the widely distributed printed text of his speech, photographic and photo-engraving equipment from this era and torches that were carried by pro-Lincoln “Wide Awakes” at their great October 6 New York march. Also on view will be a panoply of political cartoons and editorial commentary generated in New York that established “Honest Abe” and the “Railsplitter” as a viable and virtuous candidate, but concurrently began the tradition of anti-Lincoln caricature by introducing Lincoln as a slovenly rustic, reluctant to discuss the hot-button slavery issue but secretly favoring the radical idea of racial equality.

The next gallery, Public Opinions (1861—62), registers the gyrating fortunes of the Lincoln Administration’s first year among New Yorkers—especially the editors and publishers of the city’s 175 daily and weekly newspapers and illustrated journals, who wielded unprecedented power. In the wake of his election, and the secession of the Southern states, the New York Stock Exchange had plummeted and New York harbor was stilled. Payment of New York’s huge outstanding debts from Southern planters and merchants ceased, and bankruptcies abounded.

Scarcely one docked ship hoisted the national colors to greet the new President-Elect in February 1861 when he visited on his way to Washington and the inauguration, and eyewitness Walt Whitman described his welcome along New York’s streets as “ominous.” Mayor Fernando Wood proposed that the city declare its independence from both the Union and the Confederacy and continue trading with both sides. Even New Yorkers unwilling to go that far desperately tried to find compromises with the South that in their words, “would avert the calamity of Civil War.”

Just two months later, though, in the wake of the attack on Fort Sumter, it suddenly appeared that every New Yorker was an avid defender of Old Glory. After war was declared, business leaders, including many powerful Democrats, pledged funds and goods to the effort. The Irish community, not previously sympathetic to Republicans, vigorously mobilized its own battalion in the first wave of responses to Lincoln’s call for troops to crush the Rebellion. But after the Confederate victory at Bull Run, the wheel turned again. From July 1861 onward for more than a year, the news was unremittingly bad. Battlefield mishaps, crippling inflation, profiteering among war contractors, corruption in the supply of “shoddy” equipment and clothing for the troops, the ability of Confederate raiders to seize dozens of New York merchant ships right outside the harbor, the imposition of an income tax and a controversial effort to reform banking, alarming New York’s regulation-wary financial institutions: all these led to relentless press and public criticism of Lincoln. New York’s cartoonists, as shown in the exhibition, found every possible way to caricature the President’s homely appearance and controversial policies. Even abolitionists and blacks despaired of the President’s reluctance to embrace emancipation and the recruitment of African-Americans into the Union war effort. Former allies such as Horace Greeley slammed Lincoln for putting reunification above freedom as a war goal.

In this gallery, the objects that tell the story will include colorful recruitment posters for the Union army, the great, seldom-lent Thomas Nast painting of the departure of the 7th Regiment for the Front, rare original photographs of the great rally in Union Square on April 21, 1861, and the bullet-shattered coat of Lincoln’s young New York-born friend, and onetime bodyguard, Colonel Elmer Ephraim Ellsworth, the first Union officer killed in the war.

Gallery 3, titled Bad Blood (1862), illustrates the mutual animosity of New York’s pro- and anti-Lincoln forces by exhibiting bigger-than-life, three-dimensional versions of the era’s political cartoons. On one side are the Democratic Party politicians and their backers, caricatured by their opponents as bartenders in a political clubhouse, “dispensing a poisonous brew of sedition and fear.” On the other side, a caricature of Lincoln’s New York supporters—officials of the United States Sanitary Commission—shows them enjoying a sumptuous feast, celebrating the ethic of economic opportunity for the rich and the values of hard work, obedience, and self-discipline for the poor. Visitors will see how a powerful New York party of Peace Democrats, or Copperheads, portrayed Lincoln as a despot, warned against “race mongrelization,” and encouraged desertion and draft-dodging. At the same time, the gallery will show how some New Yorkers reaped the benefits of the war, given that their city was the principal home of many of the industries and services Lincoln needed: munitions, shipbuilding, medical supplies, food supplies, money lending and more. Interactive media in Gallery 3 will help visitors (especially of school age) explore the economic issues that so bitterly divided New York.

Gallery 4, Battleground (1862—1864), re-creates seven different conflicts in the city between 1862 and 1864. In each one, the visitor is invited to choose a side, listen to “the talk of the town,” and locate historic landmarks that survive from this era. Among the political and social flashpoints were Lincoln’s issuance of the Preliminary Emancipation Proclamation; the suspension of habeas corpus and press freedom; the institution of a military draft; the promotion (by Lincoln’s elite Protestant supporters) of a new ethic of civic philanthropy, industrial progress, and national expansion; and the bitter Presidential campaign of 1864. Visitors will be brought into the setting of Shiloh Presbyterian Church (on the corner of Prince and Lafayette Street) on “Jubilee Day,” January 1, 1863, when emancipation was proclaimed; re-live the four-day Manhattan insurrection of July 1863 known as the Draft Riots, which claimed more than 120 lives before they were put down by troops from the 7th Regiment, recalled from Gettysburg; glimpse the crowded pavilions of the loyalists’ Metropolitan Sanitary Fair of April 1864; and see a multitude of cartoons, engravings, pamphlets, flags, posters, lanterns, and campaign memorabilia.

The evolution of Lincoln’s image—from Railsplitter to Jokester to Tyrant to Gentle Father—is the subject of Gallery 5, Eyes on Lincoln. Four iconic portraits, all enormously influential, mostly from life, and none ever displayed together in such a suite—one by Thomas Hicks, one by William Marshall, and two by Francis Bicknell Carpenter (of Lincoln alone and of the assembled family)—anchor the investigation. Interactive programs allow visitors to learn more about the creation and re-production of these images, their iconographic roots in western art, and the artists’ biographies.

The last major gallery, The Loss of a Great Man (1865), takes the visitor from Lincoln’s victory in the 1864 election to his New York funeral procession, perhaps the largest such event yet held in world history, involving hundreds of thousands of participants and inspiring an outburst of mourning among whites and blacks, Christians and Jews, that signaled the transfiguration of the late president’s heretofore-controversial image. A video documents the triumphant events of March and April 1865: the passage of the Thirteenth Amendment outlawing slavery, the delivery of the second inaugural address, and the surrender of the Confederate armies. In New York, a gigantic parade celebrated Lincoln on March 5, 1865. And then, after Lincoln’s assassination on April 15, the fierce political antagonisms surrounding Lincoln suddenly evaporated, and a new image emerged of a Christ-like, compassionate, and brooding hero who gave his life so that the nation would enjoy a “new birth of freedom.”

A superb collection of memorial material produced and distributed in the city is accompanied by artwork representing Lincoln’s apotheosis. Included will be the recently discovered scrapbook of a New Yorker who roamed the streets after Lincoln’s death sketching the impromptu written and visual tributes that sprung up in shop windows and on building façades in the wake of Lincoln’s murder. Perhaps the greatest memorial of all was New Yorker Walt Whitman’s poem “When Lilacs Last in the Dooryard Bloom’d.”

As a coda, the exhibition concludes with a brief tour of how New Yorkers have continued to memorialize Lincoln—in the names of streets and institutions; in the development of an egalitarian national creed; in a powerful sense of nationhood; and in a constantly evolving sense that this is the most representative and inspiring of all Americans.

Catalogue

The exhibition will be accompanied by an illustrated, full-color catalogue edited by guest historian Harold Holzer, who has also contributed an introductory essay and a chapter on the city’s publishers and the making of Lincoln’s image in New York. Additional essays have been written by historians Jean Harvey Baker, Catherine Clinton, James Horton, Michael Kammen, Barnet Schechter, Craig L. Symonds, and Frank J. Williams, with a preface by New-York Historical Society President and CEO Louise Mirrer, all featuring seldom-seen pictures, artifacts, and documents from the Society collections.

Support for Lincoln and New York

Objects in the exhibition come from the New-York Historical Society’s own rich and extensive collections; from the Gilder Lehrman Collection, on deposit at the New-York Historical Society; Brooks Brothers; and from other major institutions including the Library of Congress, The Cooper Union, Chicago History Museum, John Hay Library at Brown University, Union League Club, New York Military Museum, Cornell University, the University of Illinois, and the New York Public Library.

In addition to generous funding from JPMorgan Chase & Co., the U.S. Department of Education Underground Railroad Educational and Cultural (URR) Program, and the National Endowment for the Humanities, additional project support for the exhibition and related programs has been provided by The Bodman Foundation, public funds from the New York City Department of Cultural Affairs, the Motorola Foundation, Brooks Brothers, Con Edison, and the New York Council for the Humanities. Thirteen, a WNET.ORG station, is media sponsor.

About the New-York Historical Society

Established in 1804, the New-York Historical Society (N-YHS) comprises New York’s oldest museum and a nationally renowned research library. N-YHS collects, preserves, and interprets American history and art. Its mission is to make these collections accessible to the broadest public and increase understanding of American history through exhibitions, public programs, and research that reveal the dynamism of history and its impact on the world today. N-YHS holdings cover four centuries of American history and comprise one of the world’s greatest collections of historical artifacts, American art, and other materials documenting the history of the United States as seen through the prism of New York City and State.

Photo: Print by Currier and Ives “The Rail Candidate, 1860” Lithograph. New-York Historical Society.

New York City Fire Department History Lecture

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The New York Public Library’s Bloomingdale Library (150 W 100th St, NYC) will play host to a lecture on the history of the New York City Fire Department on Thursday, October 8, 2009 from 6:00 PM – 7:30 PM. Robert Holzmaier, Chief, Eleventh Battalion which covers Manhattan’s Upper West Side will be discussing fire extinguishing in 1609, the first controversial fire tax; hooks & ladders; horses and dogs; the connection to the city’s water supply; the city’s great conflagrations; attempts to destroy the city by fire; fire company feuds; and the the uses of volunteers.

You can learn more about the history of the New York City Fire Department at: http://www.nyc.gov/html/fdny/html/history/fire_service.shtml

Conference: Merchant Jews in The New World: 1500-1800

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The first of three annual conferences focusing on a lesser-known role played by merchants, especially Jewish merchants, in the Caribbean and major ports of Colonial America in the establishment of the United States, will be held at the ‘Center for Jewish History’ in New York City on Sunday, October 18, 2009.

The initial one-day gathering, “Merchant Jews in The New World: 1500-1800” is being organized by ‘The Gomez Foundation for Mill House’, an organization focused upon the pioneer experience in America. The aim of this conference is to highlight current research and foster further study in this long neglected corner of New World and Colonial American history. Represented on the panels will be noted scholars in the field, including Keynote Speaker, Dr. Jonathan Ray of Georgetown University, Washington, DC.

Gomez Foundation for Mill House manages and operates one of the oldest, continuously occupied dwellings in North America, the 300-year-old ‘Gomez Mill House’ in Orange County, New York. On the National Register of Historic Places, the house was named after a Jewish merchant named Luis Moses Gomez. Other pioneers, patriots and significant owners who came after him are also honored at the house.

Gomez was born in Spain, fled with his family to Southwestern France, and came to New York by way of England and the Caribbean. His aim in building his trading post (now the house) was to help open up the Hudson River to increased trade.

The conference is open to those with both academic and non-academic backgrounds, particularly those who share an interest in the economic birth, maturity and modern expansion in the New World and early America. For further information on the conference, visit www.gomez.org.

Waterfront Preservation Programs Announced

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New York City’s Historic Districts Council, the citywide advocate for New York’s historic neighborhoods, will be presenting “On the Waterfront in New York,” a series of films, lectures, and discussions exploring the history and preservation of NYC’s historic waterfront neighborhoods – much of which is proposed for redevelopment. Topics will include the preservation of South Street, the commercial and industry history of the waterfront, and a waterfront tour of the South Street seaport.

Film Screening and Discussion: Street of Ships
Thursday, October 1, 2009, 6:30pm
Anthology Film Archives, 32 Second Avenue at East 2nd Street, Manhattan
Fee: $15/$10 for Friends of HDC, seniors & students.

“Street of Ships” is a 1982 documentary by Charles Richards that chronicles the efforts by Peter Stanford and the early Friends of South Street to save from destruction and preserve some of the city’s oldest and most historically significant buildings. It concludes with the controversy surrounding the goals of 1980s commercial developers versus those wishing to maintain the area’s historical authenticity. The film features archival footage of the Seaport that evokes its past uses as a port and commercial district, along with interviews with area stakeholders and policy experts. The film will be followed by a presentation by Robert LaValva, founder and director of New Amsterdam Market, about the role of waterfront markets. The program will conclude with a discussion—reflecting new opportunities for the future of the Seaport District—with participants from the film including Peter Stanford, a founder and past president of South Street Seaport Museum and Terry Walton, a founder of the Seaport Museum and vice chair of the Working Harbor Committee.

On the Waterfront: A Lecture
Wednesday, October 14, 2009, 6:30pm
The Seamen’s Church Institute, 241 Water Street, Manhattan
Fee: $15/$10 for Friends, seniors & students.

This panel will examine the history and future of the waterfront through different lenses, from the commercial past of its wharves and docks to the adaptive reuse of structures still lining its edges. Richard A. Greenwald, professor of history and dean of graduate studies at Drew University will discuss the commercial aspects of New York City’s waterfront development from the mid-19th century up to 1950 as depicted in the film, “On the Waterfront.” Roland Lewis, president and CEO of the Metropolitan Waterfront Alliance, will examine the reuse of industrial structures along the City’s waterfront. The third speaker, Kevin Bone, an architect and editor of several books on the waterfront, will address the history and development of Manhattan’s historic seawall, a gargantuan structure which encircles the whole island and has literally shaped how the city has grown.

From the Ferries to the Fish Market: A Walking Tour of the South street Seaport
Sunday, October 18, 2009, 11:00am
Location to be announced upon registration.
Fee: October 18: $35/$25 for Friends, seniors & students.

The series will conclude with an in-depth tour of the South Street Seaport, examining such noted landmarks as the South Street Seaport Museum, the WPA-era New Market Building, and historic local businesses. Tour attendees will hear about the South Street Seaport’s diverse past from its beginnings up to the current day as a commercial, retail and residential district. Mr. LaValva will also discuss the role of public markets in shaping the East River waterfront. More recent history and plans for the future, including the massive redevelopment proposal by General Growth Properties will also be addressed by special guest Madeline Rogers. Due in part to this proposed development, in 2009 the Historic Districts Council successfully nominated the Seaport to the Preservation League of New York State’s “Seven to Save” listing of places to preserve in New York State. The tour will end at Acqua, a noted Seaport establishment for a complimentary drink. The exact location for the tour will be announced upon registration.

The complete series of all three events is $60/$40 for Friends, seniors & students. Advance reservations are required. Tickets can be ordered by visiting or contacting www.hdc.org, 212-614-9107 or hdc@hdc.org.

Actiёn Handel: Early Dutch Finance Exhibit Opens

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On Tuesday, September 8, the Museum of American Finance will open “Actiёn Handel: Early Dutch Finance and the Founding of America,” an exhibit showcasing the relationship between early Dutch finance and the United States. On display will be financial documents from Amsterdam, including the oldest known share certificate, which was issued by the Dutch East India Company in 1606.

The exhibit will tie in with the city-wide celebration of the 400th anniversary of Henry Hudson’s exploration of the area that became New Amsterdam (and later New York), and will focus on the financial aspects of the area’s first 200 years. The exhibit is a collaboration among the Museum of American Finance, NYSE Euronext, Amsterdam City Archives and the Dutch Exchange Heritage Foundation (Stichting VvdE), and features exceptional documents from these organizations. In addition to the oldest share certificate (which was featured in the 2004 motion picture “Ocean’s Twelve”), the exhibit will include documents relating to early Dutch share trading, the bubbles of 1720, and John Adams’ successful bid to secure a loan from Dutch bankers on behalf of the Continental Congress, which was the first ever U.S. state loan.

The Museum will host a public opening reception for “Actiёn Handel” on Thursday, September 10, from 5:30 – 7:00 pm. To confirm attendance, or for more information, please contact Kristin Aguilera at 212-908-4695 or kaguilera@moaf.org.
“Actiёn Handel” will be on display through October 17, 2009.

The Museum of American Finance, an affiliate of the Smithsonian Institution, is the nation’s only public museum dedicated to finance, entrepreneurship and the open market system. With its extensive collection of financial documents and objects, its seminars and educational programming, its publication and oral history program, the
Museum portrays the breadth and richness of American financial history, achievement and practices. The Museum is located at 48 Wall Street, on the corner of William Street, and is open Tues-Sat, 10 am – 4 pm. For more information, visit www.moaf.org.

Brooklyn Museum Launches Smart Phone Gallery Tours

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Visitors to the Brooklyn Museum with mobile phones with Internet access can now create their own gallery guides to the permanent collections through a first-of-its kind program launched last week. Museum attendees who bring their Web-enabled phones will also be able to suggest works of art to fellow visitors. Based on the visitor’s initial selections, the guide will generate additional recommendations about works to see.

Anyone who wants to will now also be able to create sets of annotated objects, which function as customized tours, through the Museum Web site, www.brooklynmuseum.org. These tours may be shared with friends and featured on the Museum Web site for other visitors. The Brooklyn Museum Web site now contains images and brief information on more than 11,000 objects from its comprehensive holdings, which range from antiquity to the present and
include nearly every culture.

For example, a visitor to the ancient Egyptian galleries containing more than 1,200 objects might focus on the Old Kingdom section, encompassing Dynasties 3 through 6, from 2675 through 2170. There, they might select a limestone group statue depicting a man, his wife, and their small son that was the first major work of Egyptian art ever exhibited in America. Given their interest in this statue, the program then might suggest that the visitor look at three elaborately painted wooden tomb statues depicting a man at various stages of his life and an exquisite alabaster statue of the child King Pepy II seated on the lap of his mother.

Through the aggregation of data provided by visitors and their individual tastes, the guide is designed to grow more intelligent as more visitors use it and more data is supplied. The new customized guide will be free to all visitors and may be used on any Web-enabled mobile phone.

The guide is designed as a mobile Web application, specifically engineered for the small screen of a mobile device. The object data displayed within the application is drawn from the Brooklyn Museum’s collection online and combined with the social element that each visitor contributes while in the gallery during their visit.

Eventually, the data generated by visitors using the guide in-house will be exported back into the collection online to form a recommendation system on the Brooklyn Museum Web site.

This project was developed by Shelley Bernstein, Chief of Technology, with assistance from Jennifer Bantz, Manager Interpretive Materials, Brooklyn Museum. The Web application was engineered in-house by Paul Beaudoin, Programmer, Brooklyn Museum.

Light On New Netherland Exhibit at NYC’s Federal Hall

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New Netherland – the Dutch province that stretched from today’s New York State to parts of Delaware, New Jersey, Pennsylvania, and Connecticut – existed for 55 years and its legacy lives on. Just two years after the founding of the first permanent English colony at Jamestown in 1607, and eleven years before the Pilgrims landed at Plymouth Rock, the Dutch were in New Netherland. And, although their hold on that part of North America was tenuous and brief, the influence of the Dutch was both impressive and long term.

Light on New Netherland, a traveling exhibit consisting of 26 two-dimensional panels, introduces adults and children to important, but not well-known aspects of this part of the American history and culture. The New Amsterdam History Center (NAHC) has arranged for the exhibit to appear at Manhattan’s Federal Hall National Memorial site. The exhibit will be on display on the main level of Federal Hall from Aug. 5 through Sept. 8. “Light on New Netherland” has appeared at the New York State Museum in Albany as well at several other notable institutions. The Federal Hall National Memorial Site is open Monday through Friday from 9AM to 5PM; it’s located at 26 Wall Street.

Photo: The Extent of New Netherland (from a map published in 1685).

Inside The Apple: A Streetwise History of New York City

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A new book, Inside the Apple: A Streetwise History of New York City, by Michelle and James Nevius offers 182 short chapters that tell the story of the city from Henry Hudson’s voyage of discovery in 1609 to the present-day rebuilding of the World Trade Center site. At the back, fourteen self-guided tours allow you to use the chapters to create your own explorations of the city.

This fast-paced narrative history unfolds in mini-chapters designed to guide you to obscure and prominent historic places throughout the city. The supplemental maps and step-by-step directions make using the book to explore the city in a new way easy and accessible. The book is broken down into several parts that include New Amsterdam, the Revolutionary Era, and the Birth of New Republic; The Great Port, 1805-1835; The Growth of the Immigrant City, 1836-1865; The City in Transition, 1866-1897; The New Beautiful City, 1898-1919; Boom and Bust, 1920-1945; and the City Since World War Two.

The layout makes reading the book as a traditional history possible and brings to life the city’s fascinating and dramatic past for locals, tourists, and anyone eager to better know the stories and places of New York City history. Also check out the authors’ blog.