History, Natural History & the Arts
During the Renaissance (roughly 1400–1600) and Baroque (roughly 1600–1750) eras, Spanish barber shops doubled as social hubs. Barbers kept stringed instruments hanging on the wall for waiting customers to play or played them themselves to entertain patrons.
Spain has a rich lineage of stringed instruments that includes the bandurria. [Read more…] about A Tale of Mistaken Identity: Mandolin Mania in Manhattan
The Lombardy city of Cremona is the birthplace of the violin. The name of Antonio Stradivari became a metaphor for perfection, and his presence sparked a cult of Cremonese violins.
Born in 1644, he continued a lengthy line of local luthiers who since the sixteenth century had produced fine instruments. [Read more…] about NY Music History: Wurlitzers, Martin Guitars & Saxon Immigration
The “Gilded Age,” a term coined by Mark Twain and Charles Dudley Warner in their 1873 novel of that title, indicates a period in American history from the 1870s to the early 1900s in which rapid industrialization and growing prosperity contrasted with extreme poverty and social deprivation.
The era encountered an evolving cultural landscape. Tycoons like Henry Clay Frick, Andrew Carnegie, Andrew Mellon, J. P. Morgan and others used their fortunes to collect art, build museums or sponsor libraries. Critics argued that these “robber barons” masked the exploitation of the workforce by acts of cultural philanthropy. [Read more…] about Art Dealer William Schaus, Sugar Baron Henry Havemeyer & America’s First Rembrandt
Musician Nicola Matteis arrived in London in the early 1670s. Describing himself as “Napolitano,” he was the first Baroque violinist of note active in the capital. Very much his own promoter, he published his Arie diverse per il violin in 1676, a collection of 120 pieces for solo violin. A second extended edition with an English title-page appeared two years later. In 1685, he published the third and fourth parts of the famous Ayres for the Violin.
Matteis is credited with changing English taste for violin from the French to the Italian style of playing. Soon after, attention shifted from performer to instrument which sparked a veritable cult of Cremonese violins. The name Stradivari became a metaphor for perfection attained by a combination of individual genius, skill and attention to detail. [Read more…] about Cremona to Central Park: Stradivari & Nahan Franko’s Legacy
The exploration continues with Amateur Musicians in the Early United States. Glenda Goodman, an Associate Professor of Music at the University of Pennsylvania and the author of the book Cultivated by Hand: Amateur Musicians in the Early American Republic (Oxford University Press, 2020) joins Liz Covart to investigate the role of music in the lives of wealthy white Americans during the earliest days of the early American republic. [Read more…] about Amateur Musicians in the Early United States
Thomas Jefferson, America’s first Ambassador to France and the nation’s third President, developed a liking for the more genteel aspects of life in Europe. The man who requested that a cellar be constructed at the White House, has been named the first American wine connoisseur. He ordered his supplies directly from the finest French vineyards.
Jefferson also had a passion for music and was a devoted violinist. As part of his early ‘gentlemanly’ education he had been taught to play the instrument. Later in life he compiled a music library at his Monticello estate in Charlottesville that contained works by Vivaldi, Corelli, and Handel, and compositions by contemporaries such as Haydn and others. [Read more…] about The Violin, George Gemünder & The Sound of New York
On September 11th, 2021, the traditional Last Night of the (BBC) Proms took place at London’s Royal Albert Hall. Away from the usual and rather bizarre jingoism, this performance was memorable for the “revolutionary” introduction of an accordion on stage.
Latvian virtuosa Ksenija Sidorova was the first accordion soloist ever to be invited to play on such an occasion. Her interpretation of Astor Piazzolla’s 1974 composition “Libertango” brought a packed house to its feet. [Read more…] about Tango Mania: From Brothel to Concert Hall
In 1719, Étienne [Stephen] De Lancey built his house on a site at 54 Pearl Street on the corner of Broad Street which had been given to him by his father-in-law Stephanus van Cortlandt, New York’s Mayor. The small yellow bricks used in its construction were imported from the Dutch Republic.
In 1762, his heirs sold the property to Samuel Fraunces who converted the home into a tavern, first named the Queen’s Head and later known as Fraunces Tavern. [Read more…] about Rise and Fall of Benjamin Franklin’s Glass Armonica
On October 4th 1923 a concert took place in Paris at which there were performances of Airplane sonata (1921), Sonata sauvage (1922/3), and Mechanisms (1923).
The composer was a young man from Trenton, New Jersey. Among his supporters were Erik Satie, Darius Milhaud, and James Joyce. The recital broke up in a riot. To modernists in the audience such disturbances justified their artistic experimentation. [Read more…] about Carnage at Carnegie Hall
The modern banjo derives from mid-1600 instruments that had been used in the Caribbean by enslaved people taken from West Africa. The original version was made from a hollowed-out (hard-skinned) gourd and a varying number of horsehair strings. [Read more…] about Banjo Pickers and Harlem-On-The-Seine
Since the saxophone was invented and patented by a young man from French-speaking Dinant, in Belgium’s Walloon Region, American musicians have paid credit to the instrument by producing memorable performances which include John Coltrane’s “Love Supreme,” Dino Soldo’s smooth jazz solos, or Clarence Clemons’s relentless drive.
Over time, the sax has found its way into almost every genre of music with one exception. The saxophone is not part of the orchestral repertoire. It was and remains a rogue instrument. [Read more…] about The Saxophone: Born In Belgium, Raised In The USA
The Industrial Revolution ended life’s traditional muted tones and unleashed the supremacy of mechanical clamor. Technology and commerce combined in an all-out assault on stillness.
In April 1936 the city of New York’s Noise Abatement Bill became law. The measure had been preceded by a long campaign against the ever-increasing loudness of city life. It started as a crusade against the omnipresence of unlicensed street musicians. [Read more…] about Organ Grinders And Street Music: A History of New York Busking
In 1850, after a long journey, a large German family sailed from Hamburg into New York Harbour. There was no Statue of Liberty to welcome them. Newcomers faced no questions or restrictions. There was no Castle Garden (opened in 1855), no Ellis Island (opened in 1892) – they simply made their way and settled in the city.
The family brought music to New York. [Read more…] about German Immigrants & Instruments: 48ers, Slomans and Steinways
In Pulling Strings: The Legacy of Melville A. Clark, musician Linda Pembroke Kaiser explores the extraordinary career of Melville A. Clark (1883–1953), a musician, inventor, entrepreneur, community leader, and collector whose colorful story is largely unknown. The story is told by Kaiser, a musician who performs on the harp, piano, and guitar. She has published articles in the International Folk Harp Journal and has published and recorded an album of harp music, Lullabies for Earth Children.
Beginning with an account of Clark’s musical family, Kaiser chronicles the founding in 1859 of the Clark Music Company, of which Melville Clark became president in 1919. Originally just a tinkers shed, the business ultimately moved into a six-story building in the center of Syracuse. The Clark Music Company celebrates its 150th anniversary in 2010. Clark also combined his talents as a gifted musician and astute entrepreneur to start the first Syracuse Symphony Orchestra.
Kaiser recounts the development of the Clark Irish Harp, the first portable harp manufactured in the United States, that could easily play accidentals. There were other Clark inventions, such as the first nylon strings for instruments. In addition, Clark designed balloons that the British used in 1918 to drop more than 1,250,000 pamphlets over Germany.
Clark’s story unfolds in detail: a musical encounter with President Wilson, entertaining President F. D. Roosevelt, a visit to Buckingham Palace to present Princess Elizabeth with a music box, and the journey of a Clark Irish harp to Antarctica with Admiral Byrd.
Pulling Strings uncovers the life of a musical genius and also sheds light on a forgotten chapter in Syracuse history.
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