Musician Nicola Matteis arrived in London in the early 1670s. Describing himself as “Napolitano,” he was the first Baroque violinist of note active in the capital. Very much his own promoter, he published his Arie diverse per il violin in 1676, a collection of 120 pieces for solo violin. A second extended edition with an English title-page appeared two years later. In 1685, he published the third and fourth parts of the famous Ayres for the Violin.
Matteis is credited with changing English taste for violin from the French to the Italian style of playing. Soon after, attention shifted from performer to instrument which sparked a veritable cult of Cremonese violins. The name Stradivari became a metaphor for perfection attained by a combination of individual genius, skill and attention to detail. [Read more…] about Cremona to Central Park: Stradivari & Nahan Franko’s Legacy