On November 8th, 1929, ten days after the Black Tuesday stock market crash, New York’s Museum of Modern Art (MoMA) opened its doors to the public.
The idea of establishing an institution devoted to the collection and display of contemporary art was controversial. Artists feared that creativity would become institutionalized. If paintings and sculptures were taken out of the living environment, the museum would merely serve as a mausoleum or dumping ground.
As modernists defined art in terms of continuous movement and change (innovation was the new permanency), the idea of a “museum of modern art” seemed an oxymoron, a contradiction in terms. It needed clarification. [Read more…] about A Modern Art Historian’s Hanoverian Inspiration
