New York Almanack

History, Natural History & the Arts

Iroquois

Journal Features Two Row Wampum Treaty Debate

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13220774-largeThe Journal of Early American History (JEAH) has published a special free issue that focuses on the Two Row Wampum treaty, a historical agreement between the Dutch and the Iroquois that purportedly took place on April 21, 1613 – a date that is based on an allegedly forged document. The treaty has been the subject of most discussion in recent months.

During the month of July and the first week of August supporters of the Two Row Wampum Renewal Campaign paddled from Onondaga Lake, and down the Mohawk and Hudson rivers to New York City to draw attention to environmental concerns and native sovereignty rights on Two Row Wampum treaty anniversary date. [Read more…] about Journal Features Two Row Wampum Treaty Debate

Two Row Wampum: The Triumph of Truthiness

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Wampum-BeltsThe historic journey of Two Row Wampum is in the news. The journey by water from Albany to the United Nations has been recorded and chronicled each step of the way.

The culminating activity at the conclusion of the journey is to honor the International Day of the World’s Indigenous Peoples. The paddlers consist of roughly equal numbers of Indigenous and non-Indigenous peoples, paddling side-by-side in two lines to honor and bring to life the imagery of the Two Row Wampum.
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Iroquois Festival Set For Iroquois Indian Museum

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sky dancers (2)The 32nd Iroquois Indian Festival — a celebration of Iroquois creativity and self expression — takes place Saturday, Aug 31, and  Sunday, Sept. 1, at the Iroquois Indian Museum, 324 Caverns Road, Howe’s Caverns, NY. The festival is open daily from 10 a.m. to 6 p.m. with admission of $10 for adults and $5 for children.

In conjunction with the Museum’s new 2013 exhibit, IndianInk: Iroquois & the Art of Tattoos, there will be tattoo contest at 2 p.m. on Saturday. Everyone is invited to show off their tattoos with winners chosen by audience feedback. There are three contest categories: Best Male, Best Female and Best of Show. [Read more…] about Iroquois Festival Set For Iroquois Indian Museum

Cayuga Museum Returns Iroquois Sacred Objects

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The Cayuga Museum of History and Art, in Auburn, New York, has announced the return of 21 objects of spiritual significance to the custody of the Onondaga Nation. Nineteen masks and two wampum articles associated with burials were transferred from the Museum collection to the Onondaga Nation.

The 1990 Federal Native American Graves Protection and Repatriation Act (NAGPRA) mandates that federally funded museums return Native American “cultural items” to the lineal descendants or culturally-affiliated groups of the people who created them. The cultural objects covered include human remains, funerary objects, sacred objects, and items of cultural patrimony. [Read more…] about Cayuga Museum Returns Iroquois Sacred Objects

31st Annual Iroquois Indian Festival This Weekend

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The 31st Annual Iroquois Indian Festival takes place on Saturday, Sept. 1 and Sunday, Sept 2, at the Iroquois Indian Museum, 324 Caverns Road. For two days, from 10 a.m. to 6 p.m., the Festival features traditional Iroquois music, dance, Native foods and much more. Admission is $10 for adults and $5 for children. [Read more…] about 31st Annual Iroquois Indian Festival This Weekend

The Oneida Nation: People of the Standing Stone

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Karim M. Tiro’s The People of the Standing Stone: The Oneida Nation From Revolution Through the Era of Removal (Univ. of Mass. Press, 2011) traces the history of the Oneida’s experiences from the American Revolution to the mid-nineteenth century.

Between 1765 and 1845, the Oneida Indian Nation weathered a trio of traumas: war, dispossession, and division. During the American War of Independence, the Oneidas became the revolutionaries most important Indian allies. They undertook a difficult balancing act, helping the patriots while trying to avoid harming their Iroquois brethren.

Despite the Oneidas wartime service, they were dispossessed of nearly all their lands through treaties with the state of New York. In eighty years the Oneidas had gone from being an autonomous, powerful people in their ancestral homeland to being residents of disparate, politically exclusive reservation communities separated by up to nine hundred miles and completely surrounded by non-Indians.

The Oneidas physical, political, and emotional division persists to this day. Even for those who stayed put, their world changed more in cultural, ecological, and demographic terms than at any time before or since. Oneidas of the post-Revolutionary decades were reluctant pioneers, undertaking more of the adaptations to colonized life than any other generation. Amid such wrenching change, maintaining continuity was itself a creative challenge. The story of that extraordinary endurance lies at the heart of this book. Additional materials, including teaching resources, are available online.

The author specializes in North America from the 16th through the mid-­19th centuries. He is also the author of Along the Hudson and Mohawk: The 1790 Journey of Count Paolo Andreani (University of Pennsylvania Press, 2006). Tiro is an Associate Professor of History at Xavier University and is currently researching the history of the United States sugar industry.

Note: Books noticed on this site have been provided by the publishers. Purchases made through this Amazon link help support this site.

Pre-European Agriculture in the Champlain Valley

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When I set out to write From Forest to Fields: A History of Agriculture in New York’s Champlain Valley, I became discouraged by the mixed information coming from various authors.

While there is archeological evidence of Native settlements in Plattsburgh at Cumberland Bay, across Lake Champlain in Vermont and along the Hudson River and its tributaries, little information exists for the rest of the Adirondack Coast. [Read more…] about Pre-European Agriculture in the Champlain Valley

Native Artisans at the Fenimore Art Museum

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The Fenimore Art Museum welcomes five Haudenosaunee (Iroquois) artists this summer to spend three days in the museum galleries and outdoors at our Native American interpretive site, Otsego: A Meeting Place. Engaging conversations with these artists offer a delightful, insightful way to learn about traditional Native American art skills that have been handed down for generations.

June 18-20: In addition to traditional pottery, Natasha Smoke Santiago, a self-taught artist, casts the bellies of pregnant women and then forms the casts into sculptural objects incorporating Haudenosaunee craft techniques. She will be creating pottery on site and sharing its relationship to Haudenosaunee tradition and stories.

July 17-19: Penelope S. Minner is a fourth-generation traditional artist making black ash splint baskets and cornhusk dolls. Working in the customary Seneca way, Penny uses no forms for basket shapes and sizes.

August 5-7: Karen Ann Hoffman creates beautiful decorative pieces following the traditions of Iroquois raised beadwork and embodying Iroquoisworldviews.

August 21-23: Ken Maracle creates beads from quahog shells and has been making reproduction wampum belts for more than 25 years. He also makes condolence canes, horn rattles, water drums, and traditional headdresses. He speaks the Cayuga language and is knowledgable about the history of wampum and his people.

August 30-September 1: Iroquois sculptor Vincent Bomberry carves images of Iroquois life in stone.

Artisans will be in the museum galleries and at Otsego: AMeeting Place from 10:00 a.m. to 5:00 p.m. During the Artisan Series, visitors can explore the extraordinary Eugene and Clare Thaw Collection of American Indian Art, a collection of over 800 objects representative of a broad geographic range of North American Indian cultures. Tours of Otsego: A Meeting Place and its Seneca Log House and Mohawk Bark House are also available.

Admission: adults and juniors (13-64) is $12.00; seniors (65+): $10.50; and free for children (12 and under). Admission is always free for NYSHA members, active military, and retired career military personnel. Members enjoy free admission all year.

For more information, visit FenimoreArtMuseum.org.

Iroquois Indian Museum Opens With New Exhibit

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The Iroquois Indian Museum has opened for its 2012 season with a new exhibit, “Birds and Beasts in Beads: 150 Years of Iroquois Beadwork.” The exhibit features more than 200 beaded objects, largely from the collection of beadwork scholar, retired archeologist and Museum trustee, Dolores Elliott. A Spring Party to Celebrate the Opening from 3-5 p.m. on Saturday, May 5. [Read more…] about Iroquois Indian Museum Opens With New Exhibit

Iroquois Indian Museum Prepares Opening, Events

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The Iroquois Indian Museum opens for its 2012 season on May 1 with a new exhibit and special events planned throughout the year. From May 1 until the closing day on November 30, the Museum hosts the exhibition, “Birds and Beasts in Beads: 150 Years of Iroquois Beadwork.” The exhibit features more than 200 beaded objects, largely from the collection of retired archeologist and Museum trustee, Dolores Elliott. [Read more…] about Iroquois Indian Museum Prepares Opening, Events