New York Almanack

History, Natural History & the Arts

Documentary

Remembering Gordon Parks In ‘100 Moments’

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Gordon Parks bought his first camera in a pawn shop and got his first real photography job at the New Deal’s Farm Security Administration (FSA).”American Gothic,” his bold arrangement of a White House cleaning lady with a mop in front of a flag, got him in trouble on his first assignment.

As a multifaceted creative artist, Parks stacked up firsts again and again in a long career that has been seeing numerous tributes over the past year.  2012 was the 100th anniversary of his birth, and exhibits are still underway. [Read more…] about Remembering Gordon Parks In ‘100 Moments’

Picturing Diasbility: Beggar, Freak, Citizen Photo Rhetoric

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Midget, feeble-minded, crippled, lame, and insane: these terms and the historical photographs that accompany them may seem shocking to present-day audiences. A young woman with no arms wears a sequined tutu and smiles for the camera as she smokes a cigarette with her toes; a man holds up two prosthetic legs while his own legs are bared to the knees to show his missing feet.

The photos were used as promotional material for circus sideshows, charity drives, and art galleries. They were found on begging cards and in family albums. In Picturing Disability: Beggar, Freak, Citizen, and Other Photographic Rhetoric, Bogdan and his collaborators gather over 200 historical photographs showing how people with disabilities have been presented and exploring the contexts in which they were photographed. [Read more…] about Picturing Diasbility: Beggar, Freak, Citizen Photo Rhetoric

Documentary Shooting At Saranac Laboratory Museum

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While George Washington Carver would become known as “the peanut man,” because of his extensive research into the practical uses and agricultural advantages of peanuts, Carver’s life work and legacy went far beyond the peanut in his search for ways to “help the man farthest down,” as he put it.

His early years were fraught with struggle and rejection, beginning with his birth to a slave mother near the end of the Civil War. He witnessed mob lynchings, was denied admission at a white college, and yet became a well-educated scientist and teacher of national and worldwide influence and renown.

Signature Communications of Huntingtown, MD, has been engaged by the National Park Service to produce a centerpiece video for visitors to the George Washington Carver National Memorial, located at Carver’s birthplace in Diamond, MO. Titled “Struggle and Triumph: The Legacy of George Washington Carver,” this 25 minute film will be accompanied by an educational video and supplemental educational package tied to national Common Core curriculum standards.

As part of the filming process, and to augment the archival images and film available, Signature is bringing Carver’s experience and legacy to life through re-enactments of seminal experiences in his life, filmed in authentic period settings. Childhood scenes have already been filmed with actors at historic villages and farms in Missouri, as well as at Carver’s birthplace in Diamond, MO. Because the lion’s share of Carver’s lifetime of achievement occurred at Tuskegee University, the filmmakers want to reinforce the significance of his laboratory research and teaching there. Unfortunately, none of the interior settings where Carver worked at Tuskegee have been retained in their historical condition. After a wide search, Signature decided on the Saranac Laboratory Museum at Historic Saranac Lake, and will be undertaking location filming there on November 14.

Dating from 1894 – near the time when George Washington Carver was preparing to move from the Midwest to Tuskegee – the Saranac Laboratory’s white glazed brick walls, wooden cabinetry and period-accurate hood cabinet are very much of the same historical style as those of Carver’s later labs at Tuskegee. Period photographs reinforce that similarity. To round out the illusion, the filmmakers will be outfitting a professional actor with period attire to represent Carver, and are also seeking several young college age men and women to appear as supporting actors representing Carver’s African American students at Tuskegee. Acting experience is not required for these non-speaking roles, and Signature Communications will supply appropriate wardrobe as well as $100 stipend and a credit in the film. Contact: John Allen, 410-535-3477, FlickKid@Signacom.tv.

Photo Caption: George Washington Carver teaching in his Tuskegee University Laboratory, c.1905. Library of Congress photo archive.

State Museum to Sponsor ‘Adirondack Day’

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The New York State Museum will celebrate the Adirondacks and Lake Champlain on Saturday, November 3 with “Adirondack Day,” an inaugural daylong event that will complement the Museum’s exhibition on iconic Adirondack photographer Seneca Ray Stoddard. [Read more…] about State Museum to Sponsor ‘Adirondack Day’

Thomas Mott Osborne Film Premiere Theater Mack

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Who is Thomas Mott Osborne? And what is The Castle? These questions will be answered at the Auburn, NY premiere of a new documentary about Thomas Mott Osborne on Sunday, October 14 at 2:00 p.m. at Theater Mack at the Cayuga Museum. Filmmaker Neil Novello and Osborne biographer, David Connelly, will discuss the film after the screening. This program is free and open to the public.

Thomas Mott Osborne’s statue stands in front of the Auburn, NY Police and Fire Departments. The Castle refers to the 105 year-old Portsmouth Naval prison that stands empty on a bluff in the Piscataqua River separating Maine and New Hampshire adjacent to the Portsmouth Naval Shipyard. But what do these two (Osborne & The Castle) have in common?

It is written in the Navy’s history of the Portsmouth Naval Prison aka The Castle that Thomas Mott Osborne “introduced a new era and a new viewpoint to the Naval prison.”  From 1917 to 1921, Auburn prison reformer and resident, Thomas Mott Osborne, was the only civilian commander of the Naval Prison. Osborne hadn’t served in the Navy.

“Osborne is either a nut or a visionary,” says Pulitzer Prize winner and Auburn resident, David Connelly, who worked with Award-winning filmmaker Neil Novello from Maine on what is the only video documentary ever made about the Auburn industrialist turned humanitarian in the early 20th Century. The always-controversial Thomas Mott Osborne brought scandal, prison reform and a movie crew to the Portsmouth Naval Prison aka The Castle. ”Osborne’s command of the Naval Prison just maybe the culmination of Osborne’s prison reform career,” says Mr. Novello who started on this documentary five years ago.

Novello’s filmmaking journey started with his visit to the Syracuse University’s Bird Library to do research on Osborne. He went through box after box of Osborne’s history at the Naval Prison, which provided many great photos, newspaper articles, as well as Osborne’s writings. It was the Bird Library librarian who told Novello about Osborne biographer, David Connelly.

In the course of a year, David Connelly generously gave of his research time and family time to be a part of this documentary. Connelly knew Frederik (Erik) Osborne, TMO’s grandson, who had the remaining two reels of the Osborne-produced propaganda prison silent feature movie. “The Right Way” was filmed at the Naval Prison using prisoners as extras.

The other important person who gave generously of her time to Novello was Eileen McHugh, Director of the Cayuga Museum of Art and History. The Museum had a copy of Osborne in a 1926 experimental sound movie filmed at the Case Laboratories in Auburn where Osborne mentions the Portsmouth Naval Prison and talks about his reform ideas.

McHugh provided Mr. Novello an area in the basement of the museum to videotape David Connelly’s interview and McHugh also secured, via the Cayuga Museum’s archive, photos of early Auburn as well as Osborne and his family.

To understand Commander Osborne’s Naval prison experience, Novello needed to include Osborne’s family and his work at Auburn and Sing Sing state prisons in New York where he disguised himself as a prisoner to find out what life was like inside. When Osborne went to the Naval Prison, he disguised himself as a prisoner for a report to the Secretary of the Navy. While Commander of the Naval Prison, again Osborne disguised himself as a sailor and was a coal shoveler on the USS North Dakota as a way to understand Navy life.

Osborne became known for his Mutual Welfare League system where prisoners manage prisoners. The Mutual Welfare League was used at Auburn State prison and in Sing Sing state prison as well as the Naval prison.

With the additional photos provided by Ossining Historical Society in New York, and movie film (of Naval sea exercises and World War One) provided by the National Archive, Novello had the visual ingredients for his documentary about Osborne’s experience at the Naval Prison which in a way, culminates his prison reform career.

“It’s all about Osborne’s perspective and his thinking”, says Novello. “I did not want to make a run-of- the-mill, academic-type documentary with pros and cons. It’s about Osborne but told through his letters, film and David Connelly’s wonderful interview.”

Novello wanted to première TMO@The Castle in Auburn at the Cayuga Museum of Art and History’s newly restored Theater Mack. “It’s most fitting to show my documentary right here,” says Novello.

Novello has also produced a DVD called, The Castle: Stories of the Portsmouth Naval Prison which includes TMO@The Castle and a commentary to go with the remaining reels of Osborne’s feature movie, The Right Way.

New Director for George Eastman House

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George Eastman House International Museum of Photography and Film announced today the appointment of Dr. Bruce Barnes as the Ron and Donna Fielding Director. Barnes will assume his role as eighth director of the museum—the world’s oldest museum of photography and one of the largest motion-picture archives—in October 2012.

Barnes is the president and founder of American Decorative Art 1900 Foundation (ADA1900), a private foundation based in New York City, that works independently and in collaboration with museums across the United States to foster understanding and appreciation of American decorative art from the period around 1900.

Barnes is coauthor and editor of The Jewelry and Metalwork of Marie Zimmermann (2011), which was copublished by ADA1900 and Yale University Press. ADA1900 also copublished The Artistic Furniture of Charles Rohlfs (2008), an award-winning scholarly book that accompanied an exhibition of the same title co-organized by ADA1900 and the Milwaukee Art Museum. The exhibition traveled to the Dallas Museum of Art, Carnegie Museum of Art, Huntington Art Collections, and Metropolitan Museum of Art.

Barnes was chief executive officer of Element K, a Rochester-based company and pioneer in online learning, from 2000-2004, overseeing more than 800 employees. Over the course of his career, Barnes has held senior executive positions at Ziff Communications Company, Ziff Brothers Investments, Wasserstein Perella & Co., Reservoir Capital Group, and QFS Asset Management. He received a B.A., magna cum laude, and a Ph.D. in Economics from the University of Pennsylvania.

“I am honored to be selected to serve as the next director of George Eastman House,” said Barnes. “The range of its activities and opportunities is exhilarating. George Eastman House is a vital part of Rochester’s community. The museum’s unparalleled collections—in the areas of photography, cinema, and their technologies—and curators make important contributions on the international cultural scene, and its leading post-graduate programs advance the imperative of photography and film preservation around the world.”

“Having devoted most of the last seven years to collaborating with major museums across the country and furthering art scholarship, I am eager to apply my strategic and management skills to leading George Eastman House,” he said. “The house and a great many of the museum’s objects fall precisely within my longstanding interest in American art, decorative art, and architecture of the period from 1876 to 1940. My background in innovative online education will be invaluable to the creation of a virtual museum that will provide global access to its superb collections. I look forward to returning to Rochester and working with the Eastman House board of trustees and staff to advance the museum’s tradition of excellence and service to the community.”

“George Eastman House is an international treasure, a source of local pride, and a complex organization,” said Thomas H. Jackson, chairman of the George Eastman House Board of Trustees. “In Bruce Barnes, we have found the perfect individual to continue the museum’s progress and build the local, national, and international infrastructure and connections that will be essential to Eastman House’s future.

“Our collections and location, important in themselves, are also the springboard for essential work in preservation and an understanding of how the image can inform as well as reflect society,” Jackson said. “Dr. Barnes understands these interconnections in an impressively deep way and has the vision to take our past accomplishments and turn vision into reality. His extraordinary talents across so many dimensions are matched by his passion for George Eastman House and its potentiality. That’s a wonderful, winning, combination.”

Barnes’s appointment is the outcome of an international search process. He succeeds Dr. Anthony Bannon, who retired from George Eastman House in May after 16 years in the position.

“The Search Committee feels extraordinarily fortunate to have found in Dr. Barnes the combination of skills, experience, and passion needed for the challenges and opportunities that lie ahead for the George Eastman House,” said James A. Locke III, the George Eastman House trustee who chaired the Search Committee. “He is quite a remarkable fit for us with his excellent academic background, financial acumen, with prior positions with top Wall Street financial firms, and tested leadership as a CEO in Rochester.

“He is also an engaged collector with scholarly and passionate interests in the arts and museums,” Locke said. “Dr. Barnes can and will be an energetic and transformational leader who surely will make a great difference at George Eastman House and, in the view of the Search Committee, he will make a great difference in the presence and importance of the museum and its varied missions here and globally. We are thrilled with his appointment.”

About George Eastman House International Museum of Photography and Film

George Eastman House International Museum of Photography and Film combines world-class collections of photography and film with an active program of exhibitions, lectures, film screenings, and the National Historic Landmark house and gardens of George Eastman, the philanthropist and father of popular photography and motion picture film. Eastman House is also a leader in film preservation and photograph conservation, educating archivists and conservators from around the world through historic-process workshops and two graduate schools, the L. Jeffrey Selznick School of Film Preservation and the Photographic Preservation and Collections Management master’s degree program. Eastman House, which was established as an independent non-profit museum in 1947, is one of the world’s foremost museums of photography and the third largest motion-picture archive in the United States. The museum intertwines unparalleled collections, totaling more than 4 million objects, of photography, motion pictures, and cameras and technology, as well as literature of these fields of study. Learn more at eastmanhouse.org

NY Wine History: Finger Lakes Museum Doc Premier

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The Finger Lakes Museum is hosting the premier showing of its documentary film series, Vine to Wine; Savor our Finger Lakes, at Bristol Harbour Resort in Canandaigua on Friday, September 21st. The 6:30 p.m. event includes an assortment of tapas and wine tastings from regional wineries as well as presentations by the wine professionals who created the program series. Attendees can also bid on “Finger Lakes Experience” silent auction packages and participate in a raffle.
Part One of the Vine to Wine series, which highlights the history of grape growing and winemaking in the Finger Lakes Region, will be presented at four different venues across the region in October and November. Through film, live presentations, and wine and juice tastings, people can learn how the region developed into the wine destination that it is today.

For additional information and program schedule, or to purchase tickets for the premier, log on to www.FingerLakesMuseum.org or call 315-595-2200. Reserved ticket prices are $15 per person or $20 per person at the door.

The Finger Lakes Museum is being planned to be the premier cultural and natural history resource dedicated to the enjoyment, education and stewardship of the Finger Lakes Region, and to freshwater conservation.

The Finger Lakes Museum is chartered by the New York State Education Department and is incorporated as a not-for-profit tax-exempt organization. For more information or to make contact, log on to www.FingerLakesMuseum.org.

Saratoga Battlefield Announces Photo Contest

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The Saratoga National Historical Park’s photo contest will held from now through October 31, 2012. The winning photo will be featured on the park’s 2013 Annual Pass and the photographer will receive a free 2013 Annual Pass. Once all photos have been submitted, the winning photo will be decided by a panel of Saratoga NHP employees by November 9.  Next year marks the 75th anniversary of Saratoga National Historical Park (Saratoga Battlefield).

Contest Rules:

Contest is open to all ages
Picture must be taken within park boundaries: Saratoga Monument,
Schuyler House, Victory Woods, Saratoga Battlefield Scenic, wildlife, park events, park structures (monuments,historic houses, etc.) photos will all be accepted

Entries must be submitted by 4 pm October 31, 2012

Limit to one (1) photo per contestant

Photo(s) must be submitted by e-mail to megan_stevens@nps.gov

Photo Specifications: File in JPEG format with 300 DPI resolution. Each photo must be no larger than 3 MB in file size Contestant must provide: Full name, phone number, brief description (no more than 100 words) of where and when photo was taken

All photos submitted for this contest automatically become property of the National Park Service; photographers will be credited. Anyone who derives 5% or more of their income from taking photos are ineligible Saratoga NHP employees and their immediate family members are ineligible

For more information about this contest or other park events, please call Megan Stevens at 518.670.2982 or visit: http://www.nps.gov/sara/parknews/newsreleases.htm.

Auburn Prison, Gillette Case Documentary, Lecture

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A North Woods Elegy: Incident at Big Moose Lake is a documentary feature film that explores one of the most famous American murder cases. Grace Brown, a pregnant young woman from upstate New York, was killed in the Adirondacks on July 11, 1906 [watch the trailer].

Her lover, Chester Gillette, was eventually tried and convicted of her murder. Gillette died in the Auburn Prison electric chair on March 30, 1908. The case became the basis for Theodore Dreiser’s 1925 novel, An American Tragedy.

A North Woods Elegy explores the fascination America had, and still has, with the case, encompassing issues of class, jurisprudence in America at the turn of the 20th century and ethics and sensationalism in news reporting.

The documentary film will be shown in Theater Mack at the Cayuga Museum, twice on Saturday, September 15, at 1:00 pm. and again at 4:00,. Derek Taylor, the film’s producer, director and editor, will answer questions after each screening.

At 3:00 p.m., there will be a lecture on “Gillette in Auburn” by Tompkins County Judge Jack Sherman, editor of The Prison Diaries and Letters of Chester Gillette. Gillette spent more than a year in Auburn Prison before his execution; his diary from that time is today in the collection of Hamilton College. Both the film screenings and the lecture are free and open to the public.