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Katie Eggers Comeau, Director of Preservation Services for the The Landmark Society of Western New York has posted a nice list of upcoming historic preservation education events at their blog Confessions of a Preservationist. The events are designed for “everyone from homeowners to design professionals.” I’m reposting the entire list here, but be sure to check out their blog.
This isn’t a full listing of all upcoming Landmark Society events, just those that are geared specifically toward historic preservation education (as opposed to our many tours and other events, which, of course, are also educational!). For other upcoming events, including local and out-of-town tours, be sure to check out the Events section of our website.
April 6, 13, 27, and May 5 and 12: Your Old House workshops – learn to care for your house by preparing your garden for spring, repairing your windows, taking care of hardwood floors, and more! All sessions start at 6 p.m. at the Stone-Tolan Barn, 2370 East Avenue in Brighton; these sell out early, so register in advance to reserve your spot for one session or the full series.
April 18: Birthday party for Frederick Law Olmsted in Highland Park (Lamberton Conservatory, 180 Reservoir Avenue), at 5:00 p.m. Enjoy cake and punch while learning about Rochester’s remarkable Olmsted legacy.
April 23: Preservation Night at the Opera House – while not our event (this one is sponsored by the Village of Lancaster Historic Preservation Commission), this looks like a great opportunity to hear about the newly created Preservation Buffalo Niagara, and to learn about the Certified Local Government (CLG) program. The program will be held at the historic Lancaster Opera House, 21 Central Avenue, Lancaster.
May is National Preservation Month! This year’s theme is “This Place Matters” – a powerful theme, since the historic places we care about do matter, for so many reasons.
May 2: Regional Preservation Conference in Medina, NY: Homeowners, Realtors, elected officials, zoning/planning/preservation board members, community activists, and anyone else with an interest in older buildings and neighborhoods won’t want to miss it! Medina High School, 2 Mustang Drive (off Route 31), Medina.
May, date TBA: Marketing Historic Houses Successfully: This class, a joint effort of the Landmark Society’s Rochestercityliving.com initiative and the Greater Rochester Association of Realtors, educates Realtors about the attributes of older housing stock, helping them to sell these special properties. The class includes two bus tours of city neighborhoods. Registration will be handled by GRAR, with classes taught by Cynthia Howk, Steve Jordan, and Jean France.
June 4: Green Strategies for Historic Buildings: This day-long workshop, presented by the National Preservation Institute, will demonstrate how the environmental goal of “reduce, reuse, recycle” can enhance the capital cost competitiveness of preservation projects. We are really excited to be cosponsoring this event, along with the Preservation League of NYS and AIA New York State. The workshop will be held at the Eisenhart Auditorium of the Rochester Museum & Science Center, 657 East Avenue.
Charles Gehring, Ph.D., Director of the New Netherland Project in Albany, has spent 30 years translating 17th-century documents to uncover the Dutch origins of New York will join Jaap Jacobs, Ph.D., co-curator of Amsterdam / New Amsterdam: The Worlds of Henry Hudson, and one of the scholars who has built on Gehring’s work to rewrite the history of New Netherland will hold a conversation “about myths, memories, and discoveries of New York’s origins, what made New Netherland unique, and why knowledge of these
origins is important for New York and New Yorkers today.”
The event will be held April 11th, at 2 pm at the Museum of The City of New York, 1220 5th Ave,. Reservations are required. For further information about this event contact Paula Zadigian at (212) 534-1672.
A new exhibit “Amsterdam/New Amsterdam: The Worlds of Henry Hudson” opened Saturday at the Museum of the City of New York and will run through September 27, 2009. Presented in collaboration with the New Netherland Institute, Albany, and the National Maritime Museum Amsterdam / Nederlands Scheepvaartmuseum Amsterdam, the exhibit will employ rare 16th- and 17th-century objects, images, and documents from major American and Dutch collections to bring the transatlantic world to life and reveal how Henry Hudson’s epic third voyage of exploration planted the seeds of a modern society that took root and flourished in the New World. Focusing on the economic, cultural, and ideological connections that ultimately linked two global cities, Amsterdam and New York, “Amsterdam / New Amsterdam” will illuminate not only the global significance of Hudson’s voyage, but also the creative context out of which the exploration and settlement of New York itself arose, highlighting the Dutch role in creating the very character of New York as a place of opportunity, tolerance, and perpetual transformation.
The New York State Museum has received a $3.1 million federal transportation grant to make mechanical upgrades to the Day Peckinpaugh, paving the way for the historic canal boat’s transformation into a permanent floating museum, dedicated to sharing the history and heritage of the state’s canal system.
As the first motorship of its kind specifically designed for the dimensions of the 20th-century Erie Barge Canal, and the last surviving vessel of its kind remaining afloat, the Peckinpaugh has become an iconic fixture on the state’s waterways. Built in 1921 in Duluth, Minnesota to carry grain from the Midwest to New York City, it was the harbinger for nearly a hundred other canal motorships that were seen everywhere on the waterway until 1950. In 1994, the Peckinpaugh made its final commercial voyage, with communities from Rome to Oswego turning out to wave goodbye.
Now listed on the National Register of Historic Places, the Peckinpaugh was saved from the scrap heap in 2005 through the efforts of the New York State Museum, in partnership with the New York State (NYS) Canal Corporation; NYS Office of Parks, Recreation and Historic Preservation; the Erie Canal National Heritage Corridor Commission; the National Park Service and the Canal Society of New York State.
The Peckinpaugh is scheduled to have temporary exhibits installed for the Hudson-Fulton-Champlain quadricentennial celebration tour in August and September. This was organized by the Erie Canal National Heritage Corridor, in conjunction with the State Museum, Saratoga National Historical Park and the New York State Canal Corporation. This new federal grant will provide funds for the rehabilitation work necessary before permanent exhibits can be installed and the Peckinpaugh is ready for continuous tours.
The grant was among more than $81 million in federal funding for 59 transportation projects across New York State, announced by Governor David Paterson. Funds will be allocated through the American Recovery and Reinvestment Act (ARRA) for Transportation Enhancement Program (TEP) projects. TEP finances transportation improvements with cultural, aesthetic, historical and environmental significance. It’s hoped the projects will make necessary improvements to local walkways, bicycle paths and other transportation routes while spurring economic development and job creation.
The value of a waterborne traveling exhibition, dedicated to sharing the history of the canal system, became apparent when more than a million visitors turned out to visit the 1976 Bicentennial Barge, which reached several dozen communities over a five-month journey. It is estimated that as much as 85 percent of the state’s population live in regions within a half-hour drive of the state’s waterway network.
The Peckinpaugh will follow a schedule of visits from New York City to Plattsburgh to Buffalo to Ithaca. When it is not touring during the navigation season it will be available for tours at the historic Matton Shipyard at Peebles Island State Park in Waterford. During the winter season it may also be open at its winter berth on the Waterford Flight.
Plans call for the Peckinpaugh’s permanent exhibitions to be installed and ready for visitors by summer 2010. The National Park Service will coordinate the development and operation of the exhibitions in the 130-foot long open cargo hold of the motorship, which at one time carried 160 tons of dry cement. While maintaining the Peckinpaugh’s industrial character, initial plans call for the creation of a gallery that is nearly as large as some gallery spaces in the State Museum. The gallery will be universally accessible and compliant with the American Disabilities Act..
This grant will help to mitigate a decade of neglect that left many of the boat’s mechanical systems in disrepair when it was largely abandoned in Erie, Pa. between 1995 and 2005. It follows a $290,000 grant in 2006 from the New York State Office of Parks, Recreation and Historic Preservation’s Environmental Protection Fund that has been used to stabilize the Peckinpaugh. Additional work will include the replacement of fuel tanks, ballast piping and valves, the possible addition of a new ballast tank and the rebuilding of fresh water, sanitary and electrical systems. Plans also include some hull plate replacement, repair and painting.
As part of the celebration of the 2009 Hudson-Champlain Quadricentennial the New York State Office of Cultural Education (OCE) will present the exhibition “1609,” which will re-examine Henry Hudson’s voyage, the myths that surround it, and explore the legacies of Hudson’s unexpected discovery.
The State Museum, State Archives, State Library and State Office of Educational Broadcasting, which make up OCE, are collaborating on the “1609” exhibition. It is scheduled to be open July 3, 2009 through March of 2010 in the New York State Museum’s Exhibition Hall.
Other quadricentennial events will include a two-month tour along the Hudson River and Champlain Canal, led by the New York State Museum’s historic Day Peckinpaugh, a 259-foot, 1921 canal boat. The Half Moon, historic barges and other large working boats will also participate in the tour in August and September 2009. It will stop at 15 ports from Burlington, Vt. to New York Harbor. Visitors will be able to step onboard to view exhibits on 400 years of maritime progress and advancement. The tour is organized by the Erie Canal National Heritage Corridor, in conjunction with the State Museum, Saratoga National Historical Park and the New York State Canal Corporation.
The “1609” exhibition will be presented in four parts. The first section will focus on what life was like for both the Dutch and Native Peoples of New York before 1609 and the events of that year. The visitor will then look at the myths that Hudson planned to come here, and that Native Americans greeted him and his crew with joy and awe. The exhibition will attempt to dispel those myths and explore with the visitor what is known about Hudson and the 1609 voyage and the Native American response. The third section will confront the myths relating to the short-term impact of the voyage – the consequences for the Dutch and the Native Americans. Finally, the visitor will be able to examine the long-term legacy of the Native Americans and Dutch, and how they affected subsequent historical events and American culture today.
In addition to artifacts from throughout OCE collections, “1609” will also feature paintings by Capital District expert historical artist L.F. Tantillo.
Archaeologist James Bradley, an expert on Native Americans, and Russell Shorto, an authority on colonial Dutch history, have written text for the exhibition. Bradley is the author of “Before Albany: An Archaeology of Native-Dutch Relations in the Capital Region 1600-1664,” and a guest curator for portions of the exhibition. Shorto, who resides in the Netherlands, authored “The Island at the Center of the World,” the epic story of Dutch Manhattan and the forgotten colony that shaped America.
Steven Comer, a Mohican Native American living within the original territory of the Mohican people, has provided cultural information and consulting for the project.
To complement the exhibition, the Museum also will present a program, “The Stars of 1609” on Saturdays, May 2 and 30 and June 6 and 13 at 2 p.m. and 3 p.m. Participants will peer through the ages to see the night sky as it looked to Henry Hudson and his crew in 1609. There also will be a discussion about the navigational techniques of European explorers, their tools and equipment and 17th-century astronomy. The program is free but visitors must obtain tickets at the Museum’s front lobby desk.
The New York State Museum is a cultural program of the New York State Education Department. Founded in 1836, the museum has the longest continuously operating state natural history research and collection survey in the U.S. The State Museum is located on Madison Avenue in Albany. It is open daily from 9:30 p.m. to 5 p.m. except on Thanksgiving, Christmas and New Year’s Day. Further information can be obtained by calling (518) 474-5877 or visiting the museum website.
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Hitler’s occupation of France presented writers with a difficult, often dangerous dilemma: keep silent, collaborate, or resist the Germans and their Vichy allies. A new exhibition at The New York Public Library explores how Sartre, Gide, Cocteau and dozens of other public intellectuals responded to Nazi rule. Personal correspondence, photographs, manuscripts, books and posters — most displayed for the first time in the United States — illustrate the contrasting, often complex response by writers to the country’s defeat and the Vichy regime. Between Collaboration and Resistance: French Literary Life Under Nazi Occupation is on view at the Library’s D. Samuel and Jeane H. Gottesman Exhibition Hall from April 3 to July 25, 2009. Admission is free. The exhibition is accompanied by a companion volume presenting more than 650 archival documents, an April 3 symposium featuring leading French and American scholars, and screenings of rarely shown French films created during the Nazi period.
The period of the Vichy regime, which lasted from 1940 to 1944, was a tumultous time for French literature. A number of the best-loved writers of the twentieth century produced some of their finest works, such as Sartre’s No Exit, and the intellectual foment helped inspire more than two hundred films and numerous literary and artistic works, many of them clandestine. The exhibition features original copies of illegal underground publications by resisters such as Mauriac, Camus and Aragon, along with the writings of Nazi-favored authors like Céline and Drieu La Rochelle and brilliant efforts by Sartre and other resisters to circumvent the censors.
“Some writers worried about whether they were collaborating even by writing a book, because it would seem that life was normal in Vichy France. Others wanted to show that France still lived through its arts,” says co-curator Robert O. Paxton, Mellon Professor Emeritus, Columbia University. “It’s the moral ambiguity of what seemed like ordinary actions by a writer – such as publishing a poem – that makes Vichy such a fascinating period for the arts.”
Unlike other defeated European countries, France struggled under two dictatorships: the Nazis and their Vichy collaborators. The exhibition explores the deep divisions between left and right, highlighting a perhaps surprising amount of sympathy for the Nazis and the homegrown fascism of Vichy. Original letters and documents, drawn from the Institut Mémoires de l’édition contemporaine (IMEC) and The New York Public Library’s collections, also show the exile experience of Jewish intellectuals such as Hannah Arendt, who escaped to America and artist Otto Freundlich, who died in the Holocaust. One of the most remarkable items is the manuscript of Irène Némirovsky’s Suite française, which became a recent worldwide bestseller after its discovery by her daughter half a century after the writer’s death at Auschwitz.
This exhibition was conceived by IMEC director Olivier Corpet, who presented it with curator Claire Paulhan at Caen in 2008. It has been adapted and reshaped for an American audience by Dr. Paxton. Objects are drawn largely from IMEC, supplemented by materials from The New York Public Library, the Mémorial de Caen, and other private and public collections.
The exhibition opens in the shadow of World War I, with the depiction of a large military cemetery reminding viewers that 1.3 million Frenchmen were killed just two decades before. It chronicles the political instability of 1930s France, with a weak Third Republic, economic turmoil, and the rise of Hitler just over the border causing much agitation between left and right.
The Vichy regime is depicted as an enthusiastic enforcer of fascism in France, rather than simply a puppet to Hitler. The Germans were able to save resources by occupying only part of the country, allowing their ideological ally to rule the rest. Tales of crossing the Demarcation Line, faced with dangers from crooked “passers” and German patrols, are a ubiquitous subject in diaries and letters of the Occupation period, and in later fiction about it. Some of the exhibition’s most fascinating materials deal with how resisters were able to get information across the line and past the censors. In order to write loved ones, authorities distributed pre-written postcards with phrases (such as “I am in good health”) that could be checked off. A 1940 postcard shows Louis Aragon scribbled some extra information to the wife of Jean Paulhan, including the coded phrase “Cousin Mercadier can go to Pierre’s house.” This may have referred to the Aragons’ plan to stay with the poet Pierre Emmanuel in Dieulefit (Drôme).
The exhibition explores the violent fate suffered by many writers during this period. The price for literary resistance during the Occupation was imprisonment or death. And bitterness ran high against those who took Vichy’s side: after the war, four collaborationist writers were shot, and dozens were imprisoned and blacklisted. Others, such as Céline, fled France.
For those who joined the Resistance, there were more than 1,000 homemade, mimeographed publications, often printed secretly in the middle of the night by printers who risked — and sometimes lost — their lives. Included are copies of such clandestine publications as Combat and Les Lettres françaises, to which Camus and Sartre, respectively, contributed.Sartre’s activities during the Vichy period serve as an interesting example of the complex response by writers to difficult politics: his underground writings, a newspaper clipping depicting him sitting at Café de Flore, press commentary and correspondence help to illustrate how the writer-philosopher navigated space for himself both below ground and above, where he put on two plays. There were also the “Little Magazines,” published legally in the Unoccupied Zone, which pushed the limits of censorship. One of the most famous,Max-Pol Fouchet’s Fontaine, published a stirring poem by Paul Eluard in 1942, entitled “Liberty,” which showed the wartime evolution of literary style away from aesthetic artifice and toward simple, straightforward poetry.
“The deep political divisions of the Vichy period are always interesting to study on their own merits, but especially as an influence on the literature of Sartre, Gide, and other major twentieth-century authors,” said Paul LeClerc, President of The New York Public Library. “In spite of censorship and other forms of suppression, some writers of the period produced masterpieces of enduring worth.”
Other highlights include card files containing index cards of banned books written by Jews, Communists or those critical of the Nazis; letters by Céline from Denmark, to which he fled after the war, complaining about his treatment by Jews, and a handwritten note about Hannah Arendt by a member of the Emergency Committee in Aid of Displaced Foreign Scholars. The German Jewish philosopher, then totally unknown, was described as “swarthy, intelligent, sparing of words, courteous, efficient.”
French and German newsreel extracts, drawn from the 1969 Max Ophüls film The Sorrow and the Pity, will be screened in the exhibition. The April 3 symposium takes place at The New York Public Library’s Celeste Bartos Forum, Fifth Avenue and 42nd Street. Participants include prominent scholars from the United States and France. For more information about the exhibition and a link to the symposium schedule, go to www.nypl.org and click on “Exhibitions.”
A companion film series featuresfilms produced in France under the Nazi Occupation, including Marcel Carné’s masterpiece Les Enfants du Paradis [Children of Paradise] and rarely screened works by such directors as Henri-Georges Clouzot, Jacques Becker, and Marcel L’Herbier. Films will be presented at The New York Public Library for the Performing Arts every Tuesday in June at 2:30 p.m.
Between Collaboration and Resistance: French Literary Life Under Nazi Occupation will be on view from April 3, 2009, through July 25, 2009 in the D. Samuel and Jeane H. Gottesman Exhibition Hall (First Floor), of the Stephen A. Schwarzman Building at Fifth Avenue and 42nd Street in Manhattan. Exhibition hours are Monday, 11 a.m. to 6 p.m.; Tuesday and Wednesday, 11 a.m. to 7:30 p.m.; Thursday through Saturday, 11 a.m. to 6 p.m.; Sunday through May 17, 1 p.m. to 5 p.m. Closed Sundays Memorial Day through Labor Day and all federal holidays. Closed April 12, May 23-25, July 3-5. Admission is free. For more information, call 917.ask.nypl or visit www.nypl.org.
As part of the Lake Champlain Quadricentennial celebration, Adirondack Architectural Heritage is presenting a new tour series, Architecture of the Champlain Valley. The series features half-day walking tours of eight towns along the lake, led by experienced and professional guides. Tours will be at 9:30 am and 1:00 pm on Saturdays in May and June unless otherwise noted.
May 2- Willsboro: One of the oldest settlements in Essex County, Willsboro has a rich history connected to agriculture, paper industry, stone quarrying, shipbuilding, and tourism.
May 9- Keeseville: Keeseville is a town with a long history as an industrial community that manufactured products from wood and iron ore using the power of the Ausable River.
May 16- Essex: Essex prospered during much of the 19th century as a shipping and ship building port, and today, as a National Historic Register District, contains many wonderful examples of various styles of architecture.
May 23- Elizabethtown: As the county seat, Elizabethtown boasts a large historic government complex, and a number of buildings that reflect the town’s social, political and economic importance.
May 30- Port Henry: Port Henry and the surrounding town of Moriah have the longest industrial history of any community in the Champlain Valley, beginning with iron mining and manufacturing in the late 1700s.
June 6- Ticonderoga: Historically associated with military events, Ticonderoga developed as an industrial town connected to paper manufacturing, and today offers more than three dozen buildings listed on the National Register.
June 20- Wadhams (10:00)/Westport (1:00): The hamlet of Wadhams lies just north of Westport on the Boquet River, and was once known for its industrial pursuits which supported the outlying farms. Though industry and agriculture played a role in the development of Westport, it has gained most of its identity as a summer resort town.
June 27- Ironville: In the town of Crown Point, the settlement of Ironville is the site of the Penfield Homestead Museum and was once the center of a thriving iron industry.
Attendance is free of charge, but advance registration is required. Reservations may be made by calling AARCH at 834-9328.
Adirondack Architectural Heritage (AARCH) is the private, non-profit, historic preservation organization for the Adirondack Park region. This is one of over fifty events in our annual series highlighting the region’s vast architectural legacy. For more information on membership and our complete program schedule contact AARCH at (518) 834-9328 or visit our website at www.aarch.org.