New York Almanack

History, Natural History & the Arts

Hudson Valley - Catskills

Olana Hosts Artists’ Handmade Houses Book Event

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The Olana Partnership and Historic Artists’ Homes and Studios will offer a book talk and signing with author Michael Gotkin and photographer Don Freeman to celebrate the publication of Artists’ Handmade Houses on Saturday, June 18 at 4:00 p.m. on the East Lawn at Olana State Historic Site, 5720 State Route 9G, Hudson, New York. This event is free and open to the public (a vehicle use fee applies). Light refreshments will be served. Please call (518) 828-1872 ext. 103 or e-mail rsvp@olana.org to reserve.

Artists’ Handmade Houses is a collection of private domains handcrafted by the finest artists and craftsmen in America. This diverse selection of artists includes familiar names such as George Nakashima, Sam Maloof, Frederic Church, and Russel Wright, as well as those deserving wider recognition. Constructed between the late-nineteenth century and the mid-twentieth century, these homes were designed and built by artists as expressions of their art and craft. A few of the featured homes have been awarded National Historic Landmark status and several are open to the public, while others have sadly fallen into disrepair or are in the hands of new owners. In some cases, the photographs in this book represent the last record of the house as created by the artist.

Michael Gotkin’s text places each house in the context of its owner’s life and career, providing anecdotes and insights about its development over time and its place in the oeuvre of the artist. With brief histories about each artist and house, and spectacular new photography by Don Freeman, Artists’ Handmade Houses offers a rare glimpse into the personal living and work spaces of some of the greatest American artists and craftsmen.

Don Freeman’s photographs appear regularly in the pages of World of Interiors, Vogue, House Beautiful, and Vanity Fair, among other magazines. Michael Gotkin works as a landscape architect and city planner in New York City, where he is also an advocate for the preservation of postwar design. He has organized design exhibitions with the Cooper-Hewitt National Design Museum, the New Museum of Contemporary Art, and the Municipal Art Society of New York.

The hardcover book published by Abrams retails for $60.00 and has 240 pages, with 230 color photographs. Copies of Artists’ Handmade Houses will be available for sale at the event and online.

Olana Civil War Exhibition, Reception

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This year marks the sesquicentennial of the fall of Fort Sumter, and the start of the Civil War. Olana’s exhibition: Rally ’round the Flag: Frederic Edwin Church and the Civil War on view in the Evelyn and Maurice Sharp Gallery at Olana is one of the first exhibitions in the multi-year, regional and national commemoration of the conflict.

The exhibition opens May 26 and runs through October 30, 2011, and features Frederic Church’s most patriotic work, Our Banner in the Sky, a sensational sunrise resembling a Union flag, as well as numerous oil and pencil sketches related to the war and rarely on view. The exhibition is also the first retrospective of the very talented and little known artist John S. Jameson (1842-1864). A free public lecture by Dr. Kevin J. Avery, Frederic Church scholar and senior research fellow at The Metropolitan Museum of Art will kick-off the exhibition season on May 22, 2011 at 2 p.m. in the Wagon House Education Center at Olana.

Fort Sumter was bombarded by the newly formed Confederate States of America on April 11 and 12, 1865, launching the American Civil War. At the time, Church was preparing to debut his latest masterpiece at Goupil’s Gallery in New York City. His reaction was not to cancel the unveiling, but instead to re-title his painting of icebergs, The North, showing his support for the northern cause. Church also pledged the exhibition fees to the Union’s Patriotic Fund – a fund to aid the families of Union soldiers. Less than a month later, in a further act of nationalism Church painted a sunrise as a Union flag, Our Banner in the Sky, in response to the patriotic fever that swept the North. Church’s salute to the flag was published as a chromolithograph by Goupil & Co. and quickly became popular.

The renaming of his great picture, now known as The Icebergs, The North, and the creation of Our Banner in the Sky only represent Church’s initial reaction to the conflict. During the next five years, as the Civil War raged on, Church produced some of his most important works. And many reflected the turbulence of the war. The wonderful artistic source material for these epic paintings remains at Olana, and will be on view in the exhibition. The powerful and surging Under Niagara, 1862 (unlocated) was done from the lively oil sketch, Study for Under Niagara, 1858, in Olana’s collection. The study, which will be on display in the exhibition, represents the inspiration for the masterpiece and an important link to the lost canvas. To create his most devastating war-time vision of the exploding volcano Cotopaxi, 1862 (The Detroit Institute of Arts), Church referenced sketches from his trips to South American in 1853 and 1857.

The pencil drawings of Cotopaxi, featured in the exhibition, were done on location and illustrate Church’s amazing ability to capture the ever changing eruption. As the war turned in favor of the Union, Church returned to the subject of the frozen north, inspired in part by a sketch on display by Isaac Hayes of Church’s Peak, a mountain the explorer named to honor the artist. This watercolor, and Church’s own oil sketch Aurora Borealis (also in the exhibition) informed his large celestial tour de force Aurora Borealis, of 1865 (American Museum of Art, Smithsonian). And after the war, the end of the conflict and the return of hope are reflected by the passing storm and rainbow in Rainy Season in the Tropics, 1866 (Fine Arts Museums of San Francisco), worked out in a small compositional pencil sketch on view in the exhibition.

A number of Church’s paintings were displayed to support the Union, at Sanitary Fairs – public exhibitions held throughout the northeast to benefit wounded soldiers. The best-known was the Metropolitan Sanitary Fair which took place in New York City in spring 1864. Church’s epic canvas The Heart of the Andes was a feature of the exhibition. Church had sold the masterpiece to William Blodgett, but for himself, Church kept Study for Heart of the Andes, featured in the exhibition, as a reminder of the painting that brought him world renowned.

Church was not immune from the tragedy that the war brought to so many American citizens on both sides of the conflict. He lost a good friend and watched the careers and aspirations of others derailed by the war. Church’s friend Theodore Winthrop, after whom the artist’s named his son, was an emerging poet and travel writer and was one of the first Union casualties of the war, falling at the Battle of Big Bethel in June 1861. Arctic explorer and physician Dr. Isaac Hayes was called away from his primary passion to witness first hand the horrors of the war while commanding an army hospital. John S. Jameson was a young landscape painter described in Church’s own words as having an enormous talent and potential, whose life was tragically cut short when he died on August 31, 1864, at the age of twenty-two, only months after enlisting in the Union army.

A Hartford native, Jameson was both an exceptional artist and musician. Church recognized the extraordinary artistic potential of Jameson, commenting to the young man’s mother, “Of all the younger artists whose personal acquaintance I have made, and whose works and characteristics of mind and heart came to my observation, no one has interested me so much, as your son or held out better grounded hopes of future high excellence.”

Jameson completed very few canvases during his brief life cut short by imprisonment and death in Andersonville Prison. Olana has gathered the six identified paintings by Jameson and for the first time these works are shown together: Landscape in the Olana collection and five works from private collections.

Jameson’s poignant story represents only one of countless young men, on both sides of the battlefield, who gave their lives in the conflict. It is hoped that this initial gathering of Jameson’s works, together for the first time in any exhibition, will provide an opportunity for discovery and artistic comparison, and garner appreciation for this heretofore lesser-known gifted Hudson River School painter.

The stories of Jameson, Winthrop and Hayes serve as a personal counterpoint to the more professional and public support Church would give through his art.

To launch the exhibition, noted Church scholar Dr. Kevin J. Avery will lecture on Frederic Edwin Church and the Civil War at the Olana Wagon House Education Center on Sunday, May 22 at 2:00 p.m. The lecture is free and open to the public, but pre-registration is requested. There is a $5.00 per car fee charged to enter the site on weekends. Members of The Olana Partnership have free access to the site. Please call 518-828-1872, ext. 103 to reserve a seat.

Dr. Avery will discuss the ways in which the Civil War impacted the artist both personally and professionally. Avery will examine Church’s major works from the era of the war and the beginning of reconstruction as barometers of the failures and successes of the Union army and the hopes for the Nation. During this time, Church was at the height of his career and these paintings are his most important canvases.

Kevin J. Avery is a senior research scholar at The Metropolitan Museum of Art and an adjunct professor at Hunter College, City University of New York. A short essay by Dr. Avery will be available in a fold-out pamphlet in the exhibition gallery.

Evelyn Trebilcock, Olana Curator and Valerie Balint, Olana Associate Curator, serve as the exhibition curators. This is the third annual exhibition in Olana’s Evelyn and Maurice Sharp Gallery.

The exhibition is made possible by support from Questroyal Fine Art, the Lois H. and Charles A. Miller Jr. Foundation, TD Bank, The New York State Council on the Arts Museum Program, Hudson River Valley National Heritage Area, Berkshire Taconic Community Foundation, Mr. and Mrs. Brock Ganeles, David and Laura Grey, Henry and Sharon Martin, Chas A. Miller III, Richard T. Sharp, Susan Winokur and Paul Leach.

Olana is located at 5720 Route 9G in Hudson, NY 12534. The grounds are open every day from 8:00 a.m. until sunset; guided house tours (reservations recommended) are available Tuesday through Sunday and holiday Mondays, May through October, 10:00 a.m. – 5:00 p.m., and include access to the Evelyn and Maurice Sharp Gallery; the last tour starts promptly at 4:00 p.m. Telephone: (518) 828-0135 for reservations and to confirm hours.

Illustration: Frederic Church, Our Banner in the Sky, 1861. Courtesy Olana.

Irish Heritage Museum Moving to Albany

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The Irish American Heritage Museum has announced that it is moving into a new home at 370 Broadway in downtown Albany, NY. The Museum is completely modernizing the ground floor of the historic 19th century Meginniss Building in what has been a gutted century-old space to transform it into a state-of-the art, year-round exhibit and educational facility that also will house its O’Dwyer Research Library.

“In celebration of our 25th year of meeting our educational goals and the vision of our late founding Chair of the Board of Trustees Joseph J. Dolan, Jr., the Museum is moving into a new year-round, multi-faceted and expansive exhibit facility that will allow us to host large numbers of visitors as well as school and public groups for exhibit viewing, lectures, and other presentations throughout the year,” stated Edward Collins, Chair of the Museum’s Board of Trustees. “Further, our new Museum facility will be more accessible to the general public and provide downtown Albany with new vitality.”

Collins said of the Museum’s decision to move into downtown Albany from its part-time, summer seasonal exhibit facility in East Durham, Greene County: “The Irish have played such a central role in the history of this great city and region, from literally building Albany – and surrounding cities, villages and towns – from the earth up to protecting these areas and their people, to leading the people in every aspect of life in Albany and the surrounding region. Name a profession, occupation, leadership position or community service, and the Irish have had a central role in Albany’s life and the lives of those throughout the great northeast. The Museum’s Trustees, especially the late Joe Dolan, value greatly this rich legacy and seek to pass it forward to new generations of New Yorkers and Americans.”

The Museum expects to formally open its new, renovated facility at 370 Broadway, Albany, in September. It will move from The Michael J. Quill Irish Cultural and Sports Centre in East Durham, Greene County, which owns the summer seasonal exhibit facility previously leased by the Museum on Rt. 145 in that hamlet; the Quill Center will assume residency in that facility. The Museum will continue to partner with the Quill Center through loans of its exhibits to the Quill Center.

Albany Mayor Jerry Jennings joined in lauding the Irish American Heritage Museum’s move to the city. In a statement, Mayor Jennings said, “This museum is an important part of our community, inspiring countless residents and visitors to discover the story and may contributions of the Irish people and their culture in America, and even learn a bit about their own heritage along the way.”

Museum to Launch New Fundraising Campaign

The Museum will be launching a new fundraising campaign to help it sustain its mission and to provide future Capital Region generations a sense of the importance of their own heritage compass – whatever their heritage legacy might be – to help guide them in their lives. “In an age when we are all connected to each other through the internet, cell phones and so many other electronic devices, we would serve younger generations well by helping them stay connected to their heritage,” Collins explained. “The Museum is committed to the basic tenet that preserving one’s heritage is vital to providing a cultural and historical foundation to future generations of Americans. To paraphrase the Pulitzer Prize winning historian David McCullough, ‘Our heritage is who we are, and why we are who we are.’“

Dutchess County History Conference May 7, 2011

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The Institute of History, Archaeology, and Education (IHARE) has announced the fourth of five county history conferences in the Hudson Valley to be held this spring. The history of Dutchess County will be the focus of the conference, which will be held May 7, Greenspan Dining Room, Drumlin Building, Dutchess Community College.

Each Saturday conference brings together scholars, municipal historians, historic organizations, teachers, and lovers of history to share in the experience of the history of a region in the Hudson Valley, address the challenges in preserving that legacy, and to hear about teaching local history in our schools. We look forward to seeing you at the next conference. [Read more…] about Dutchess County History Conference May 7, 2011

Greene County History Conference Set

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The Institute of History, Archaeology, and Education (IHARE) has announced the third of five county history conferences in the Hudson Valley to be held this spring, this one focused on Greene County. The first conference was held at the Mahopac Library in Putnam to a capacity crowd on March 19. The second one at the Albert Wisner Public Library in Warwick, Orange County on April 16 is fully registered.

Each Saturday conference brings together scholars, municipal historians, historic organizations, teachers, and lovers of history to share in the experience of the history of a region in the Hudson Valley, address the challenges in preserving that legacy, and to hear
about teaching local history in our schools. [Read more…] about Greene County History Conference Set

Hudson River Viewshed Symposium Saturday

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The Olana Partnership will celebrate the Hudson Valley’s extraordinary natural and designed landscapes in a symposium on Saturday, April 16, 2011. Framing the Viewshed: The Transformative Power of Art and Landscape in the Hudson Valley will take place at Columbia-Greene Community College, just outside of Hudson, New York. The panel discussion will feature three leading experts in the fields of art history, conservation, and landscape design who will discuss the Hudson Valley’s unparalleled viewsheds and their cultural context.

Olana, now the Olana State Historic Site, was the home and creation of Frederic Edwin Church (1826-1900), one of the most significant artists of his day, and a leader of the Hudson River School, America’s first native school of painting. As a young artist, Church studied under Thomas Cole who lived just across the Hudson River. Church fell in love with the area and, when he became successful he bought a farm, which eventually became one of America’s most important designed landscapes.

Frederic Church designed Olana, planting trees, building a lake, and orchestrating the paths and carriage drives that lead up to the iconic Persian-inspired castle at the top of the hill. From this vantage point, with Church’s 250-acre Picturesque style landscape in the foreground, and the larger, borrowed landscape stretching to the horizon, today’s visitor can enjoy a vista largely unchanged in the 110 years since Frederic Church died.

This vast area comprises the Olana viewshed. (Fittingly, Columbia-Greene College, site of the symposium, is itself part of this viewshed.) “Olana represents a rare American convergence of art, conservation and landscape themes,” said Mark Prezorski, trustee of The Olana Partnership. “It makes perfect sense for the Olana Viewshed to serve as a backdrop for a broader Hudson Valley discussion.”

The panel discussion will be moderated by David Schuyler, the biographer of Calvert Vaux, who assisted Church with the design of the house. Art historian Linda S Ferber will speak on the four Hudsons of Wallace Bruce, the author of a 1901 travel guide: the Hudsons of Beauty, History, Literature and Commerce. Vassar Professor Emeritus Harvey K. Flad will discuss the “Art of Protecting Scenic Views: Nineteenth-century Artists and the Preservation of Modern-day Landscapes.” Landscape architect Laurie Olin, whose designs for public and private landscapes have won him international acclaim, will speak on the use of contemporary design in historic settings.

The concept of viewsheds is one in which many organizations are involved, several of which are participating in this symposium by either helping sponsor the conference or having representatives on hand to talk about their work. Sara Griffen, President of The Olana Partnership, said, “Partnerships are key to understanding and preserving views. The Olana Partnership is pleased that the Hudson Valley Greenway and National Heritage Area are sponsors of the symposium, and that representatives of Scenic Hudson, the Open Space Institute, and the Columbia Land Conservancy will be available to describe their respective roles in the preservation of views. The Olana Partnership also acknowledges the critical work of the New York State Office of Parks, Recreation and Historic Preservation as well as the Estuary program of the NYS Department of Environmental Conservation and the Department of State, and the support of our partners at the American Society of Landscape Architects and the Cultural Landscape Foundation.” WDST is the media sponsor of the symposium.

Citing some reasons why his organization with its partners have preserved more than 2,000 acres in the Olana viewshed, Scenic Hudson President Ned Sullivan said, “These vistas are good for the soul and the economy. The land that inspired Frederic Church’s art today lifts the spirits of all who see it. Keeping this treasured landscape intact helps Olana bring $8 million to the local economy each year and contributes strongly to Columbia County’s tourism industry, which generates $105 million in spending annually and is responsible for 1,500 jobs. I applaud Olana for holding this symposium to have more people appreciate and support preserving the valley’s natural beauty.”

The symposium will be held from 1:00 to 5:00 p.m. on Saturday, April 16, at Columbia-Greene Community College, 4400 Route 23, Hudson, NY. Registration starts at 12:30 p.m. Tickets are $40 each for members of The Olana Partnership, $50 for non-members. Continuing Education Credits, LACES 3.5 Non-HSW (NYS) will be available for registered landscape architects. From 10:00 a.m. to 12 noon, Olana is offering tours of the Bell Tower (which is not usually open to the public) to symposium participants. The tour is free to members, $40 for non-members; space is limited so guests must pre-register. For additional information or to reserve tickets, go to the Olana website, www.olana.org or call (518) 828-1872, extension 103.

Another feature of this symposium is a collection of statements on the subject of viewsheds that will be provided to attendees. In addition, these statements are posted on Olana’s website, along with an opportunity for the public, through Facebook, to create their own statements about views.

Following the symposium, participants can enjoy the sunset by attending a Viewshed Benefit Party with wine and hors d’oeuvres, from 6:00-8:00 p.m. at Oak Hill in Hudson, NY (town of Livingston). Oak Hill was built around 1793 by John Livingston (1750-1822), son of Robert Livingston, the third Lord of Livingston Manor. Grandly sited on a Hudson River bluff, it commands intimate river and mountain views, as well as a singular view up toward Frederic Church’s house and painting studio. Oak Hill is one of more than a dozen family homes built along the Hudson River and has remained in the Livingston family since it was built. Sponsor tickets for the benefit are $250, members $90 and non-members $100 and are available by calling (518) 828-1872, extension 103 as well as via Brown Paper Tickets.

Photo: Peter Aaron/Esto.

Catskill Resident Named Baseball Historian

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Major League Baseball Commissioner Allan H. (Bud) Selig has announced that author and Catskill, NY resident John Thorn has been named the Official Baseball Historian for Major League Baseball.

Thorn is the author and editor of numerous baseball books, including the forthcoming Baseball in the Garden of Eden: The Secret History of the Early Game, which will be published on March 15th by Simon & Schuster. His other books include Treasures of the Baseball Hall of Fame and the Total Baseball encyclopedia series. Thorn, a member of the Society of American Baseball Research (SABR), was the senior creative consultant for Ken Burns’ Baseball series.

As Official Historian, Thorn will lead various research endeavors and special projects on behalf of Major League Baseball.

Thorn succeeds the late Chicago Tribune and Chicago Sun-Times baseball writer Jerome Holtzman, who served as Official Baseball Historian from 1999 until his passing in 2008.

The Woodstock Times has a profile of Thorn online.

Olana to Host Irish History Themed Tours

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Events such as the Irish Potato Famine of the 1840s and 1850s led to a major influx of Irish immigrants to the United States in the mid-nineteenth century. Like many other families in this area, the Churches hired numerous Irish immigrants for their staff at Olana during the years Frederic Church lived on this property (1860-1900).

Two of the longest-serving employees were the Churches’ coachman and head cook, Michael and Jane McKenna – a brother and sister – both of whom were employed here for over a quarter-century. Olana will present special Irish-themed tours Friday-Sunday, March 11-13 & 18-20, at 10 and 11AM, 12, 1, 2 & 3PM.


Photo: Frederic Church’s coachman Michael McKenna is shown here with one of the Church’s horses. Collection Olana State Historic Site, NYS OPRHP.

Olana Partnership Elects New Chair, Board Members

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The Olana Partnership has elected Richard Sharp as Chair of the Board of Trustees at its annual meeting in New York City on January 29, 2011.

Mr. Sharp has been an active member of the Board since 2005, and was a driving force behind the creation of the Evelyn and Maurice Sharp Gallery which opened two years ago at Olana. He is an avid collector of nineteenth century American art and has frequently donated and loaned works in his collection to public museums. Mr. Sharp is a senior partner in the litigation department of Milbank Tweed Hadley & McCloy LLP, a leading international law firm. He received his B.A. degree, summa cum laude, from Brown University in 1970. He studied at Oxford University and the Hague Academy of International Law in 1970-1971, and received his J.D. from Yale Law School in 1979.

Mr. Sharp stated, “Olana is unique in combining extraordinary landscape design, architecture and collections. One of my top priorities is to renew our ties to the local community, while increasing our visibility nationally and internationally.” Mr. Sharp also seeks to foster close collaboration among the many Hudson Valley historic sites.

The Partnership also welcomed three new board members at the annual meeting: Stephen Clearman, Rebecca Desman, and Stephanie Zhang.

Stephen Clearman bought Kinderhook Farm in 2003 in Columbia County where he and his partner have established themselves as leading local producers of sustainably-raised beef cattle and sheep. Mr. Clearman started Geocapital Partners in 1984, where he managed a series of institutional venture capital partnerships. In 2002, he started Kinderhook Partners, which invests in small and little unknown publicly traded companies. His interest in Olana coincides with his interest in art and collecting, including Hudson River School paintings.

Mr. Clearman received an M.S. from Columbia University in 1974 and a J.D. from Harvard Law School in 1978.

Rebecca Desman is director at Deutsche Bank (DB) and has been an integral part of the growth of DB’s U.S. sales platform in flow credit and derivatives. Rebecca graduated from Princeton University in 2001, where she received her B.A. in Political Science. She plays an active role in undergraduate and diversity recruiting at DB and sits on the Global Markets Women’s Network Advisory Committee. While working at DB, Ms. Desman earned her M.S. in Non-Profit and Fundraising Management at Columbia University. After completing her masters, she joined two major clients of DB and helped set up The Darfur Project, which provided relief supplies for refugees. She is particularly involved in and motivated by global women’s issues and is active in several global charities. She is an avid appreciator and collector of art.

Stephanie Zhang is executive director in the Technology Division of Morgan Stanley and has 19 years of experience working in the financial services industry in New York and Asia. Prior to joining Morgan Stanley, Ms. Zhang worked in EJV Partners to help build out their data center operations. Since 2001, she has focused on building a set of technical solutions and processes in the area of Identity and Access Management for the global Morgan Stanley enterprise.

Ms. Zhang has travelled extensively in Asia, Europe and the Americas. She enjoys the diversity of New York City and takes advantage of its many cultural opportunities; her hobbies include jewelry-making, painting, photography, modern dance, and performance art. She holds a B.A in Computer Science and Statistics from the University of Wisconsin/Madison.

The Masculinity of Antebellum Landscape Painters

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As one who hobnobbed in elite cultural circles but also worked with his hands and roughed it in the woods and mountains, was the antebellum American landscape painter to be a gentleman or an undomesticated wild man, a James Fenimore Cooper or a Davy Crockett?

Join Dr. Sarah Burns, Ruth N. Halls Professor of Fine Arts at Indiana University, as she examines the ways in which Hudson River School painters attempted to reckon with the problematic aura of femininity that clung to the image of the artist at that time. [Read more…] about The Masculinity of Antebellum Landscape Painters