• Skip to secondary menu
  • Skip to main content
  • Skip to primary sidebar
  • Skip to secondary sidebar

New York Almanack

History, Natural History & the Arts

  • Email
  • Facebook
  • RSS
  • Twitter
  • Adirondacks & NNY
  • Capital-Saratoga
  • Mohawk Valley
  • Hudson Valley & Catskills
  • NYC & Long Island
  • Western NY
  • History
  • Nature & Environment
  • Arts & Culture
  • Outdoor Recreation
  • Food & Farms
  • Subscribe
  • Support
  • Submit
  • About
  • New Books
  • Events
  • Podcasts

Caribbean Connections: 6 Printmakers

January 5, 2016 by Kathleen Hulser Leave a Comment

Francks Deceus. Jumpsuit, 2002Since colonial times, the port city of New York has sent ships, goods and ideas to the Caribbean which in turn dispatched its own flow of staples, people, symbols and imaginative language North.

In the new show at Harlem’s Wintner-Tikhonova Fine Art Gallery open till Jan. 17, Caribbean artists show varieties of imagination rooted in that history of exchange. Francks Deceus from Haiti offers an abstracted photographic image of a dapper suited man in derby hat imprinted on an outlined version of a worker’s jumpsuit, evoking the urban and rural amalgam that haunts the identity of so many New Yorkers hailing from the Caribbean.

Deceus’s work in the show “News from the Islands: Six Caribbean Printmakers” demonstrates a command of the portrait idiom, deployed in variations on a manipulated photograph that submit the individual likeness to takes, angles and versions. In these variations, Deceus explores being close to what might be an elder relative’s portrait, and traveling far with his aesthetic treatments of it.

Fragile Families. Leslie Jimenez, 2012

Leslie Jimenez’s delicate watercolor and ink “Fragile Families” treats a female figure as a sort of Miss Mousey of lacy lines and melting forms, hung on a bony frame that joins couture to a glimpses of the skeleton. In one corner lurks what seems to be a heart, medically rendered as organ with aorta. Wrapped in gauzy pink effects, this allusion to deep but precarious family ties evokes the history of Caribbean connections that link the artist to roots in Santo Domingo. The figure might be a doll or a childhood memory of an elegantly attired adult, drawn to underline the hazy quality of emotional memory. Born in Santo Domingo, Jimenez has studied conservation and restoration of works on paper, so her watered outlines and faded tracery might well be part of a preoccupation with the elusive and easily damaged evidence of the past.

Another artist from the Dominican Republic, Pepe Coronado, tackles transnational tensions directly in silhouettes of the US and the Dominican Republic territories superimposed and ghosted in a kind of wallpaper of symbols that inverts, inflates and deflates the countries.

US-DR-en busqueda. Pepe Coronado, 2015

Coronado selects a palette drawn from desert camouflage — the grey, yellow, black of paratrooper’s fatigues, as if his search for the meaning of US-Dominican relations must be calibrated through a military lens. Social and political history infuse several of his works on display, produced by a master printmaker.

The Wintner-Tikhonova Fine Art Gallery has been seeking out lesser known artists who can be found in both their Harlem neighborhood and around the five boroughs, as in this show of artists mostly residing near Harlem. This show maps the twists and turns of the emotional baggage of artists situating their work in both past and present identities. The skill and nuance of the works on paper reward a close reading that suggests how much the American art world is nourished by a constant stream of artists from other places. Like the large exhibition of Puerto Rican painter Francisco Oller, soon to close at the Brooklyn Museum, artists from the Caribbean have long participated in an international exchange of visual language and symbols.

Photos, from above: Francks Deceus. Jumpsuit, 2002; Fragile Families. Leslie Jimenez, 2012; and US-DR-en busqueda. Pepe Coronado, 2015.

Print Friendly, PDF & Email

Filed Under: History, New Exhibits Tagged With: Art History, Harlem, Hispanic History

Reader Interactions

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *

Primary Sidebar

Support Our 2022 Fundraising

Subscribe to New York Almanack

Subscribe! Follow the New York Almanack each day via E-mail, RSS, Twitter or Facebook updates.

Recent Comments

  • Bob Meyer on Poetry: Cabin Pantry Discovery
  • Raphael Riljk on The Sinking of the S.S. Normandie at NYC’s Pier 88
  • Christian on Orange County Man Ticketed After Killing Rattlesnake
  • ABSS314 on Orange County Man Ticketed After Killing Rattlesnake
  • Evan Barnett on Catskills Resort History: The Beginning of the End
  • Evan Barnett on Catskills Resort History: The Beginning of the End
  • Eva Barnett on Catskills Resort History: The Beginning of the End
  • ARNOLD on Catskills Resort History: The Beginning of the End
  • Kim Campbell on Civil War Albany Rises To Action
  • Dave Waite on Alfred Billings Street: Albany’s 19th Century State Poet

Recent New York Books

The Jewish World of Alexander Hamilton
vintage babes of broadway book
Mission Begin With Blood
Special Delivery book
killing time in the catskills
the soft city book
occupied america
stewards of the water
off the northway

Secondary Sidebar

preservation league
Protect the Adirondacks Hiking Guide